Results 51 to 60 of about 81,938 (250)

‘AN AUSTRIAN FATE’: TRAUMA, REPRESSION AND WAR IN ADRIAN GOIGINGER'S DER FUCHS (2022)

German Life and Letters, EarlyView.
ABSTRACT This article examines one of the highest‐grossing films in recent years in Austria, Der Fuchs (Adrian Goiginger, 2022), which focuses on the friendship of the protagonist, a Wehrmacht soldier, with an abandoned fox cub, but in the process elides more than four years of the soldier's wartime experience.
Katya Krylova
wiley   +1 more source

Todtnauberg. Un poema después de Auschwitz. Heidegger y Paul Celan / Todtnauberg. A poem after Auschwitz. Heidegger and Paul Celan

Bajo Palabra, 2016
Por todos es sabido la relación que el filósofo Martin Heidegger tuvo con el nacionalsocialismo en los años treinta, cuando comenzó el auge de lo que se denominó Tercer Reich.
Fernando Gilabert
doaj   +1 more source

Today is already Yesterday:\ua0The\ua0Glossa XX1 architectural project for the Italian Memorial in Block 21 at Auschwitz [PDF]

, 2012
The architect of the proposed Glossa XX Architectural Project for the Italian Memorial in Block " at Auschwitz, presents and elucidates the restorations it involves and its response to criticisms made by the Direction of the Auschwitz ...
Carboni Maestri, G, Ferrario J, Shafrir, T   +2 more
core   +1 more source

‘It's Like a Horror Movie That You Walk Through’: Experiencing Horror Through Immersive Recreation

The Journal of American Culture, EarlyView.
ABSTRACT Horror stories have provided enjoyable forms of leisure for centuries. Over the past five decades, however, these experiences have evolved into increasingly immersive forms of popular culture. What once involved constructing the narrative world internally through reading has expanded into sensory engagement through visual and auditory media ...
Susan Weidmann
wiley   +1 more source

Csobánka, Zsuzsa. 2013: Majdnem Auschwitz ('Almost Auschwitz'). Budapest: Kalligram. 279 pp.

Hungarian Cultural Studies, 2016
Csobánka, Zsuzsa. 2013: Majdnem Auschwitz ('Almost Auschwitz'). Budapest: Kalligram. 279 pp.
Agatha Schwartz
doaj   +1 more source

Consigning Injustice to History with Political Apologies

Journal of Applied Philosophy, EarlyView.
ABSTRACT Failures to remember the past properly can constitute a range of different wrongs. In this article, we identify a novel kind of wrong that often occurs through political apologies: consigning an injustice to history. Consigning acknowledges that a historical injustice took place but denies that it has any ongoing relevance for the present ...
Alfred Archer, Benjamin Matheson
wiley   +1 more source

Jean Améry. Entre la razón crítica y la desesperanza

Acta Poética, 2019
Este artículo indaga sobre la escritura de Jean Améry (Austria, 1912-1978), sobreviviente de Auschwitz, quien desde la ficción o el ensayo autorreferencial exploró la catástrofe del mundo contemporáneo.
Enzo Traverso
doaj   +1 more source

The Diremption of Meaning

Modern Theology, EarlyView.
Abstract Examining work by Rowan Williams, this essay explores what he often refers to as the ‘difficulty’ of writing theology. The difficulty of theology lies in engaging the ruse of having ultimate answers to ultimate questions. The stakes are high: ‘God‐talk’ must concern itself with truth, with reality.
Graham Ward
wiley   +1 more source

Lyotard versus Hegel: The violent end of postmodernity [PDF]

Filozofija i Društvo
In the final phase of the Cold War, Jean-François Lyotard popularized the end of modernity and the dawn of a new era, “postmodernity”. But postmodernism is already over again.
Herberg-Rothe Andreas
doaj   +1 more source

Barbarism: Notes on the Thought of Theodor W. Adorno [PDF]

, 2014
Adorno’s use of the term “barbarism” has probably been most often referred to in the context of his much- cited dictum that “to write poetry after Auschwitz is barbaric” (Adorno 1983: 34).
Nosthoff, Anna-Verena
core