Results 11 to 20 of about 282 (167)

Magical Hero and Systemic Racism: An Investigation of Quentin Tarantino’s Django Unchained (2012)

open access: yesUniversity of Chitral Journal of Linguistics and Literature, 2022
This paper focuses on one of the most important screenplays, Django Unchained (2012), by the famous Hollywood auteur Quentin Tarantino. The story revolves around the life of a slave family, and Django is the central protagonist, a runaway slave, who had
Salman Hamid Khan
doaj   +3 more sources

Authorship and the Films of David Lynch: Aesthetic Receptions in Contemporary Hollywood, by Antony Todd

open access: yesAlphaville: Journal of Film and Screen Media, 2014
The death of Andrew Sarris in 2012 resurrected debates surrounding the importance and role of authorship in contemporary film theory and, despite the growth of industry studies and the dominance of poststructuralism and postmodern theory in recent years,
Deborah Mellamphy
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A Theory of Origin

open access: yesGroundings, 2016
This article reviews the traditional auteur theory within film and television studies, looking at how notions of the author and authorship are constructed. It moves through an overview of traditional auteur theory, highlighting its successes and failures
Rachelle Gallagher
doaj   +1 more source

Uwagi o teorii autora w 1962 roku

open access: yesKwartalnik Filmowy, 2007
Sarris dokonuje swoistej rekapitulacji swoich sądów na temat polityki autorskiej (la politique des auteurs), a jednocześnie występuje w roli adwokata, który broni inkryminowanej teorii auteur.
Andrew Sarris
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La Politique des Auteurs in British Film Studies: Traditional versus Structural Approaches

open access: yesMise au Point, 2016
This essay charts the emergence of auteur structuralism in Britain from 1967-76 and the polemical debates that erupted between its adherents (Jim Kitses, Peter Wollen, Alan Lovell) on the one hand, and Robin Wood, a defender of traditional auteur theory,
Warren Buckland
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Performing Authorship: Self-inscription and Corporeality in the Cinema, by Cecilia Sayad

open access: yesAlphaville: Journal of Film and Screen Media, 2014
The issue of authorship has been widely discussed in Film Studies. Through phases of critical idealisation, abstraction and even rejection, the figure of the author has attracted sustained interest in film theory debates, giving rise to, for instance ...
Laura Busetta
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The relation of minority group’s sport attainment to counter racism: African-American at the movie 42

open access: yesEdulite: Journal of English Education, Literature, and Culture, 2019
This study was conducted to determine the efforts made by minority groups who are being oppressed by racism based on context-relationship of African Americans at the movie 42 (2013).
Triastama Wiraatmaja
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Autor telewizyjny? Przypadek Matthew Weinera

open access: yesImages, 2018
American critics often refer to showrunners as television auteurs. Do showrunners deserve this title? Applying the assumptions of François Truffaut’s la politique des auteurs, as well as Andrew Sarris’s auteur theory, this article discusses the case of ...
Anna Flagmańska
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Ambiguous Authorities: Vertigo and the Auteur Figure

open access: yesAuthorship, 2017
This article examines authorial performance in the context of DC’s Vertigo line. In the 1990s, Vertigo gained its reputation as an innovative and progressive imprint by promoting the work of British scriptwriters, who were hailed as true author figures ...
Jasper Schelstraete
doaj   +2 more sources

Shades of Invisibility

open access: yesInternational Journal of Film and Media Arts, 2021
Shades of Invisibility is an ongoing experimental artist’s documentation of my practice in making Chernobyl Journey, an activist film that I have been working on for twelve years.
Sally Pearce
doaj   +1 more source

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