Results 11 to 20 of about 6,697,211 (239)

Yönetmenin Kurgusundan Hayran Kurgusuna: Dijital Sinema Çağında Yönetmenin Yaratıcı Konumu ve Auteur Kuram

open access: yesYeni Medya, 2023
Sinema tarihinin özellikle Birleşik Devletler’de ve Avrupa’daki macerası göz önünde bulundurulduğunda farklı tarihsel süreçlerde özellikle yönetmenin konumu açısından film yapım şirketlerindeki profesyonel bir çalışandan yaratıcı kişiliğini filmlere ...
Nuray Hilal Tuğan
doaj   +1 more source

KAJIAN STRUKTURAL DAN KOMPARATIF FILM BEFORE TRILOGY DAN BOYHOOD KARYA AUTEUR: RICHARD LINKLATER

open access: yesANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia, 2022
The classic theory of authorship has sparked debate among academics, practitioners, and film critics for many years. In film education, the theory of auterism is widely discussed because it provides an interesting overview of film techniques and styles ...
Ellen Agustine Saputra
doaj   +1 more source

D’un genre mal-aimé : le péplum

open access: yesMise au Point, 2022
Epic Film has been ignored for a long time by both film critics and film historians. How was epic and antic film erected as a major film genre? This aesthetical re-evaluation takes place on the margins of french criticism of the 1960s, for example in ...
Christophe Gauthier
doaj   +1 more source

Rethinking Film Adaptation Through Directors’ Discourse and Auteur Theory: Approaching Dan Brown’s The Da Vinci Code

open access: yesTheory and Practice in Language Studies, 2022
This article examines the apropos of Dan Brown’s novel - adaptation, The Da Vinci Code, to the director’s discourses around the film adaptation of a literary work.
M. C. Theodar, S. P
semanticscholar   +1 more source

Re-writing histories of colonization in video games: the case of Elizabeth LaPensée

open access: yesImages, 2021
The article is aimed at presentation of the case study in video games creation by Indigenous auteur and designer, Elizabeth LaPensée, which at the same time demonstrates how video games can both mediatize the process of re-writing history and decolonize
Anna Nacher , Filip Jankowski
doaj   +1 more source

V. F. Perkins On Movies - Collected Shorter Film Criticism: ‘Play It Again’ or The Film World Under Inspection

open access: yesJournal of Science and Technology of the Arts, 2022
In-depth review of posthumous publication V.F. Perkins on Movies, edited by Douglas Pye. It's a path through the British film critic's thoughts and main objects of desire, enhancing the importance of an almost invisible style, elegant mise-en-scène and ...
Luís Mendonça
doaj   +1 more source

Tunde Kelani’s Women: A Look at Patriarchy in Selected Nollywood Films through a Womanist’s Len [PDF]

open access: yesLitinfinite, 2023
Although filmmakers in the Nigerian film industry, Nollywood, have consistently depict the family setting as a reference point for x-raying the struggles and trials of individuals or a group of people within the larger society, researchers in the field ...
Lillian Shoroye
doaj   +1 more source

Middlebrow modernism in film(theory): Visconti’s Senso (1954) vis-à-vis Diamant-Berger’s La madone des sleepings (1955)

open access: yesRelief: Revue Électronique de Littérature Francaise, 2015
By reflecting upon the travelling concept of the (film) ‘auteur’, the first part of the article argues that Modernism manifests itself differently in cinema studies than in literary studies. Whereas the literary canon is constituted by excluding anything
Peter Verstraten
doaj   +5 more sources

Magical Hero and Systemic Racism: An Investigation of Quentin Tarantino’s Django Unchained (2012)

open access: yesUniversity of Chitral Journal of Linguistics and Literature, 2022
This paper focuses on one of the most important screenplays, Django Unchained (2012), by the famous Hollywood auteur Quentin Tarantino. The story revolves around the life of a slave family, and Django is the central protagonist, a runaway slave, who had
Salman Hamid Khan
doaj   +3 more sources

Authorship and the Films of David Lynch: Aesthetic Receptions in Contemporary Hollywood, by Antony Todd

open access: yesAlphaville: Journal of Film and Screen Media, 2014
The death of Andrew Sarris in 2012 resurrected debates surrounding the importance and role of authorship in contemporary film theory and, despite the growth of industry studies and the dominance of poststructuralism and postmodern theory in recent years,
Deborah Mellamphy
doaj   +1 more source

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