Results 31 to 40 of about 174 (138)
Las octavas reales son un sistema estrófico poco común en el teatro de Pedro Calderón de la Barca, por lo menos en sus obras seculares; sin embargo, es más frecuente encontrar este estilo métrico italiano en sus autos sacramentales, así que vale ...
Carlos Mackenzie
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ABSTRACT The disinheritance of a firstborn son accustomed to the privileges of exclusion has for centuries been a dramatic event for families, especially if the decision was taken by a woman, the son's own mother. Very few dared to do so, because it symbolised a break with the notion of virtuous, compassionate motherhood; it represented a failure to be
Mariela Fargas Peñarrocha
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After examining the available documents, often confused and mistaken about identifications of works and authors, this article provides the list of plays dedicated to San Francisco de Borja, which comprises the three comedies usually considered by critics
Ignacio Arellano
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Germ Panic and Chalice Hygiene in the Church of England, c.1895–1930
The late‐Victorian medical revolution in bacteriology, and growing public awareness of hygienic standards and the danger of disease infection from germs, created alarm about the traditional Christian practice of drinking from a common cup at Holy Communion.
Andrew Atherstone
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Una poética teatral: los sentidos en el teatro de Calderón de la Barca
In this article, I consider the treatment of the senses by Calderón de la Barca in his several versions of the story of Psique and Cupid, in which the senses are central to the meaning of the myth: his two auto sacramental versions, for Toledo and Madrid,
Margaret Rich Greer
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Fury and the antitheatrical prejudice: The violent power of play‐acting in the Cervantine picaresque
Abstract The article studies a cross‐generic relation between theatrical performance and the outbreak of violence in picaresque contexts across works by Miguel de Cervantes. It then proceeds to contextualize these persistent incidents within the philosophical history of antitheatricality.
Rasmus Vangshardt
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El diablo de la exégesis en algunos villancicos y en 'El cetro de José', de sor Juana
La tradición de la exégesis bíblica tuvo una influencia determinante en la creación del Barroco hispánico. Sin embargo, cuando recurrían a la exégesis los poetas muchas veces intentaban “curarse en salud”, en un terreno que había sido exclusivo de los ...
Ana Castaño
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LITURGICAL POLITICS IN THE POETRY OF PAUL CELAN*
ABSTRACT Drawing on Celan's conception of poetry as a means of orienting the individual towards the ‘completely Other’, this paper emphasises poetry's ability to create community without reproducing exclusionary group identities. The analysis reveals a latent politics in Celan's poetry, emphasising its ability to gather disparate individuals into a ...
Lukas Hoffman
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Bartolomé Cairasco de Figueroa y el auto sacramental: La Comedia del Alma
La Comedia del Alma, de Bartolomé Cairasco de Figueroa, pese a su título, pertenece al género dramático conocido como «auto sacramental». No sólo es uno de los escasos autos sacramentales escritos en las Islas Canarias, sino que además es uno de los ...
José Ismael Gutiérrez
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A Hidden Life: Malick's Requiem
The analysis of the narrative strategies in the writing of the script and in the formal finishing of the film A Hidden Life, the tenth feature film by the American director Terrence Malick, allows us to affirm that it is a work that is perfectly coherent
Alberto Fijo
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