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This study analyzes metaphors that Calderón develops and stages in the auto sacramental entitled El nuevo palacio del Retiro in order to defend and render explicit the central notion of the Eucharistic dogma of Transubstantiation —a notion redefined by ...
Dominique Reyre
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Hacia el auto sacramental: los autos alegóricos en las visiones de Juana de la Cruz (1481-1534)
Este trabajo tiene como objetivo profundizar en la teatralidad de los sermones de la visionaria franciscana Juana de la Cruz (1481-1534). Para ello se mostrará cómo las diferentes formas de teatralidad que presentan sus visiones celestiales pueden ...
María Victoria Curto Hernández +1 more
semanticscholar +1 more source
Abstract Dionysius's vision of eros as a meeting of reciprocal ecstasies – where lover and beloved each pass out of themselves and into the other – has often been read as unifying dimensions of love otherwise thought to stand in tension, such as giving and receiving.
Noah Karger
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Las octavas reales son un sistema estrófico poco común en el teatro de Pedro Calderón de la Barca, por lo menos en sus obras seculares; sin embargo, es más frecuente encontrar este estilo métrico italiano en sus autos sacramentales, así que vale ...
Carlos Mackenzie
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Germ Panic and Chalice Hygiene in the Church of England, c.1895–1930
The late‐Victorian medical revolution in bacteriology, and growing public awareness of hygienic standards and the danger of disease infection from germs, created alarm about the traditional Christian practice of drinking from a common cup at Holy Communion.
Andrew Atherstone
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After examining the available documents, often confused and mistaken about identifications of works and authors, this article provides the list of plays dedicated to San Francisco de Borja, which comprises the three comedies usually considered by critics
Ignacio Arellano
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Una poética teatral: los sentidos en el teatro de Calderón de la Barca
In this article, I consider the treatment of the senses by Calderón de la Barca in his several versions of the story of Psique and Cupid, in which the senses are central to the meaning of the myth: his two auto sacramental versions, for Toledo and Madrid,
Margaret Rich Greer
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Fury and the antitheatrical prejudice: The violent power of play‐acting in the Cervantine picaresque
Abstract The article studies a cross‐generic relation between theatrical performance and the outbreak of violence in picaresque contexts across works by Miguel de Cervantes. It then proceeds to contextualize these persistent incidents within the philosophical history of antitheatricality.
Rasmus Vangshardt
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Calderon\u27s La Nave del Mercador : Auto Sacramental [PDF]
The definitions of the Auto sacramental which have been devised over a period of three hundred years, from Lope de Vega to the present day, vary from the strictness of: el auto sacramental, cuyo tema es exclusivamente el dogma de la presencia ...
Fitch, S. Hugh
core
LITURGICAL POLITICS IN THE POETRY OF PAUL CELAN*
ABSTRACT Drawing on Celan's conception of poetry as a means of orienting the individual towards the ‘completely Other’, this paper emphasises poetry's ability to create community without reproducing exclusionary group identities. The analysis reveals a latent politics in Celan's poetry, emphasising its ability to gather disparate individuals into a ...
Lukas Hoffman
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