Results 91 to 100 of about 1,905 (170)

The Girlhood Archive of Affective Violence: Anna Ciarkowska’s Pestki as Emancipatory Autofiction

open access: yesAnnales Universitatis Mariae Curie-Skłodowska, sectio FF – Philologiae
The aim of this article is to analyze Anna Ciarkowska’s Pestki through the lens of contemporary feminist theories. The concept of autogynography, which prioritizes female subject and (quasi)autobiographical or autofictional texts, provided a context for ...
Anita Głowacka
semanticscholar   +1 more source

Autofiction and the possibility of life in neoliberal ruins: reification, friction and the affective dominant in Weijers and Heti

open access: yesTextual Practice
This essay analyses the intersection of the novel and neoliberalism as a relation of friction (Tsing). Whereas former studies of literature and neoliberalism imply models of resistance or complicity, the model of friction allows us to read novels as ...
Hans Demeyer, Sven Vitse
semanticscholar   +1 more source

Analyse de l’écriture de Kaouther Adimi, située à l’intersection de l’autobiographie et l’autofiction. Exemple d’étude: «Des Pierres dans ma poche»

open access: yesLangues & Cultures
L’écriture de Kaouther Adimi mêle réalité et fiction, empruntant à son vécu tout en intégrant des éléments fictifs. Cette hybridité trouble les frontières entre autobiographie, fondée sur des faits réels, et autofiction, marquée par des distorsions ...
Nassima DJEBBARI
doaj  

Self-Narration and Autofiction in Jean-Luc Lagarce’s Juste la fin du monde

open access: yesLitera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi
Juste la fin du monde [It’s Only the End of the World] by Jean-Luc Lagarce is a play that portrays a family gathering on a Sunday to mark the return of the eldest son who, long estranged from his family, has come back with the intention of announcing his
Gülseren Şen Dağtekin
doaj   +1 more source

“Tengo fe en lo que creo”: Rafael Alberti en el escenario de la poesía de Rafael Alberti / “Tengo fe en lo que creo”: Rafael Alberti on Rafael Alberti’s poetic stage

open access: yesImpossibilia: Revista Internacional de Estudios Literarios, 2017
Resumen: El presente texto se dedica a dos composiciones de Rafael Alberti en las que el yo lírico exhibe el nombre propio del poeta: el poema “¡El tonto de Rafael!” (1928), y el poema escénico “El sexagenario” (1963-1965).
Mayra Moreyra Carvalho
doaj  

Fantasyland Autofiction

open access: yesM/C Journal
This essay explores a return to hope and romanticism by contemporary artists looking at themes of fantasy worlds and mapping imaginary lands as a type of autofiction. These fantasylands are created in collaboration with hallucinating machine learning platforms, as a tool for contemporary art-making. Seen through the framework of Metamodernism, how does
openaire   +2 more sources

La autoficción como contrapunto a la "novela histórica" de los vencedores: hibridismo y metaficción en La casa del dolor ajeno (2015), de Julián Herbert

open access: yesImpossibilia: Revista Internacional de Estudios Literarios, 2017
Resumen: Este artículo se propone aislar la autoficción de las formas autobiográficas para considerarla en relación a otro género referencial pero a priori ajeno al yo: la crónica historiográfica. El texto sobre el que versará el estudio será La casa del
Nieves Marín Cobos
doaj  

Confessions of a Troubled Parrhesiast Writing as a Mode of Truth-Telling about Self in Karl Ove Knausgaard’s My Struggle

open access: yesDigithum, 2019
The article examines the six-volume autobiographical novel cycle My Struggle by the contemporary Norwegian author Karl Ove Knausgaard as a case of parrh?sia, that is, telling the truth about oneself.
Olli Pyyhtinen
doaj  

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