Results 1 to 10 of about 250 (106)
Le docufiction entre création originale et documentaire
Responding to the public’s expectations and following the 1999 BBC English Channel success of Walking With Dinosaurs watched by six millions of viewers, a new genre emerged in the 2000s on the French television : the docufiction.
Lise Henric
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This close-reading analysis and interpretation examines the original form of Woody Allen’s masterpiece Zelig (1983). The author combines a film studies approach with an investigation of epistemological and semiotic reflections on moving images.
Marek Hendrykowski
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Sabina Guzzanti come "star-director" di documentari e docufiction [PDF]
The essay illustrates the various strategies that have been put in place by Sabina Guzzanti in her documentaries and docufictions in order to raise herself to the status of a star-director.
Cristina Formenti
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This paper focuses on the cultural reasons for a new and non-univocal representation of past and present events. Many scholars have censured the value of autofiction and docufiction in contemporary novel, and have denied their potential as tools for ...
José Martínez Rubio
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Dispositifs de feintise dans le docufiction radiophonique [PDF]
Très tôt, la radio s’est imposée comme le média du direct : il était enfin possible de rendre compte du monde sans attendre que chauffent les rotatives. Des émissions comme Maremoto (Cusy, Germinet, 1924) ou La Guerre des mondes (Welles, 1938), fictions entendues comme des éléments de réalité, ont affolé les auditeurs et montré le pouvoir de conviction
Deleu, Christophe, Christophe Deleu
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Apollon, una fabbrica occupata: quando la lotta diventa “docufiction”
The essay will be dedicated to a careful analysis of the 1968 film scene, with the birth of the so-called militant cinema. We will try to bring back, thanks to the numerous archival materials found in the historical archive of «l’Unità», the debate that ...
Bianca Maria SANTI
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The evolution of the human lineage is a strong theme of French programs in Life sciences at the college and high school. It is also at the heart of television fictional documentary reporting a narrative scenography.
Yannick Rech, Eric Triquet
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This article offers a literary analysis of the historical dimension of Kirsten Boie’s young adult literary work Dunkelnacht (2021). The article first gives a criticalassessment of the mostly consensual theories of docufictional narration and ...
Ksenia Kuzminykh
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Performance without Actors: The Theatrical Docu-Fiction
Performative practice is based on the presence of at least a single performer and a single spectator. The presence (Brook 1998), mainly tied into the bodies of the subjects involved, becomes a determining factor for the construction and circulation of ...
Ester Fuoco
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