Results 1 to 10 of about 799 (113)

Sabina Guzzanti come "star-director" di documentari e docufiction [PDF]

Schermi, 2019
The essay illustrates the various strategies that have been put in place by Sabina Guzzanti in her documentaries and docufictions in order to raise herself to the status of a star-director.
Cristina Formenti
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Zelig jako docufiction

Images, 2018
This close-reading analysis and interpretation examines the original form of Woody Allen’s masterpiece Zelig (1983). The author combines a film studies approach with an investigation of epistemological and semiotic reflections on moving images.
Marek Hendrykowski
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Le docufiction entre création originale et documentaire

Revue Française des Sciences de l’Information et de la Communication, 2018
Responding to the public’s expectations and following the 1999 BBC English Channel success of Walking With Dinosaurs watched by six millions of viewers, a new genre emerged in the 2000s on the French television : the docufiction.
Lise Henric
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Autofiction and Docufiction as Proposals of Meaning. Cultural Reasons for a Non-Univocal Representation

Castilla: Estudios de Literatura, 2014
This paper focuses on the cultural reasons for a new and non-univocal representation of past and present events. Many scholars have censured the value of autofiction and docufiction in contemporary novel, and have denied their potential as tools for ...
José Martínez Rubio
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Hybridization of Fact and Fiction as a Narrative Strategy in Historical Narratives: The Case of Kirsten Boie’s (2021) Young Adult Literary Work Dunkelnacht

Studien zur Deutschen Sprache und Literatur, 2022
This article offers a literary analysis of the historical dimension of Kirsten Boie’s young adult literary work Dunkelnacht (2021). The article first gives a criticalassessment of the mostly consensual theories of docufictional narration and ...
Ksenia Kuzminykh
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Performance without Actors: The Theatrical Docu-Fiction

Body, Space & Technology Journal, 2020
Performative practice is based on the presence of at least a single performer and a single spectator. The presence (Brook 1998), mainly tied into the bodies of the subjects involved, becomes a determining factor for the construction and circulation of ...
Ester Fuoco
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Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese Cinema

Área Abierta, 2019
Epistolarity in cinema is commonly understood as a narrative device either fitting the so-called essay film, or resulting from filmic adaptation of literary works.
Nuno Barradas Jorge
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Fuga dal Novecento: su The Game, la rivoluzione digitale e altre catastrofi

AIB Studi, 2020
Bibliotecari e studiosi che si occupano di discipline del libro e del documento, o di digital humanities, hanno visto nascere il game – la rivoluzione digitale – trent'anni fa e più.
Paola Castellucci
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Now I Am Dead

Journal of Anthropological Films, 2020
Now I am Dead (2018) takes an unexpected turn which transforms the narrative from meta-critical docufiction into an immersive tale. Anthropologist Isabel Bredenbröker and director Philipp Bergmann had planned to explore the status quo of the ethnographic
Isabel Bredenbröker, Philipp Bergmann
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Fakes of reality. Do we really need the paradigm of the documentary? From the ontology to the epistemology of movie images, i.e. there and back again

Images, 2018
The starting point for this paper is the statement that we are witnessing a “mock-documentary boom” in contemporary cinema. Viewers today can be surprised and confused by the variety of “intercrossings” that are used in documentary and fictional ...
Małgorzata Jakubowska
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