Results 11 to 20 of about 353 (93)

L’histoire en prime time à la télévision : la proposition du docufiction historique français : cas d’étude : France Télévisions

, 2020
Diffuser l’histoire en première partie de soirée est un défi auquel les chaînes de télévision font face. Les chaînes de service public, contrairement aux chaînes privées, sont tenues de diffuser des programmes à dimension historique par les contraintes légales et les missions de service public qu’elles doivent remplir.
Nivoley, Diane
openaire   +2 more sources

Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese Cinema

Área Abierta, 2019
Epistolarity in cinema is commonly understood as a narrative device either fitting the so-called essay film, or resulting from filmic adaptation of literary works.
Nuno Barradas Jorge
doaj   +1 more source

Fuga dal Novecento: su The Game, la rivoluzione digitale e altre catastrofi

AIB Studi, 2020
Bibliotecari e studiosi che si occupano di discipline del libro e del documento, o di digital humanities, hanno visto nascere il game – la rivoluzione digitale – trent'anni fa e più.
Paola Castellucci
doaj   +1 more source

Now I Am Dead

Journal of Anthropological Films, 2020
Now I am Dead (2018) takes an unexpected turn which transforms the narrative from meta-critical docufiction into an immersive tale. Anthropologist Isabel Bredenbröker and director Philipp Bergmann had planned to explore the status quo of the ethnographic
Isabel Bredenbröker, Philipp Bergmann
doaj   +1 more source

La écfrasis auto/docuficcional en Tu rostro mañana de Javier Marías

ILCEA, 2019
The theoretical debate and the case studies related to postmodern literary autofiction and docufiction usually focus on the verbal artefact and often ignore the contribution of the image to build referentiality and fiction.
Mihai Iacob
doaj   +1 more source

Fakes of reality. Do we really need the paradigm of the documentary? From the ontology to the epistemology of movie images, i.e. there and back again

Images, 2018
The starting point for this paper is the statement that we are witnessing a “mock-documentary boom” in contemporary cinema. Viewers today can be surprised and confused by the variety of “intercrossings” that are used in documentary and fictional ...
Małgorzata Jakubowska
doaj   +1 more source

Docuficción y responsabilidad social: la recreación de la violencia de género en TV

Palabra Clave, 2020
Docufiction and Social Responsibility: Recreating Gender Violence on TV Documentário ficcional e responsabilidade social: a recriação da violência de gênero na televisão El tratamiento de la violencia de género ha experimentado un notable cambio en los
Dolors Palau-Sampio, Adolfo Carratalá
doaj   +1 more source

Chapter 2. The Difficult Past in Docufiction

exaly   +2 more sources

Documentary fiction: A comparative analysis of directorial approaches in Želimir Žilnik's 'Brooklyn-Gusinje' and Abbas Kiarostami's 'Close-Up' [PDF]

Zbornik Radova Akademije Umetnosti
This paper conducts a comparative analysis of two films by internationally renowned directors made within just a few years of each other - Brooklyn-Gusinje by Serbian filmmaker Želimir Žilnik and Close-Up by Iranian director Abbas Kiarostami.
Šabotić Sead
doaj   +1 more source

…And All the World a Dream: Memory Outlining the Mysterious Temperature-Dependency of Crystallization of Water, a.k.a. the Mpemba Effect

Substantia, 2020
Introduction Year 2019 marked the semi-centennial since the release of Cool?, a seminal paper by Mpemba and Osborne that demonstrated the counterintuitively faster crystallization of warm water than the cold one when they are both cooled under the same ...
Vuk Uskokovic, Evangelina Uskokovic, Theo Uskokovic, Victoria Wu   +3 more
doaj   +1 more source