Results 11 to 20 of about 250 (106)
ROBERT FLAHERTY: LOUISIANA STORY AND DOCUFICTION
REVISTA FOCOThe present work intends to analyze the documentary from the point of view of the historiography of cinema, with a reference that takes into account the legacy of the Dialectical Program, above all the contributions of André Bazin, one of the main theorists of realism in cinema.
Rickli, Andressa Deflon
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Área Abierta, 2019 Epistolarity in cinema is commonly understood as a narrative device either fitting the so-called essay film, or resulting from filmic adaptation of literary works.
Nuno Barradas Jorge
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Fuga dal Novecento: su The Game, la rivoluzione digitale e altre catastrofi
AIB Studi, 2020 Bibliotecari e studiosi che si occupano di discipline del libro e del documento, o di digital humanities, hanno visto nascere il game – la rivoluzione digitale – trent'anni fa e più.
Paola Castellucci
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Journal of Anthropological Films, 2020 Now I am Dead (2018) takes an unexpected turn which transforms the narrative from meta-critical docufiction into an immersive tale. Anthropologist Isabel Bredenbröker and director Philipp Bergmann had planned to explore the status quo of the ethnographic
Isabel Bredenbröker, Philipp Bergmann
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Images, 2018 The starting point for this paper is the statement that we are witnessing a “mock-documentary boom” in contemporary cinema. Viewers today can be surprised and confused by the variety of “intercrossings” that are used in documentary and fictional ...
Małgorzata Jakubowska
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La écfrasis auto/docuficcional en Tu rostro mañana de Javier Marías
ILCEA, 2019 The theoretical debate and the case studies related to postmodern literary autofiction and docufiction usually focus on the verbal artefact and often ignore the contribution of the image to build referentiality and fiction.
Mihai Iacob
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Docuficción y responsabilidad social: la recreación de la violencia de género en TV
Palabra Clave, 2020 Docufiction and Social Responsibility: Recreating Gender Violence on TV Documentário ficcional e responsabilidade social: a recriação da violência de gênero na televisão El tratamiento de la violencia de género ha experimentado un notable cambio en los
Dolors Palau-Sampio, Adolfo Carratalá
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My Friend is a WWI Soldier: A Semiopragmatic Approach to Docufictions on Social Networks [PDF]
Punctum. International Journal of Semiotics, 2015 At the beginning of the twentieth-first century, notable for the triumph of both fiction and a taste for reality (Veyrat-Masson 2008), interactive documentary-dramas appeared on social networks. These Internet-based audiovisual productions invite semiotics to reconsider its tools in order to grasp their complex, hybrid nature, above and beyond the ...
Dondero, Maria Giulia, Bouko, Catherine
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Documentary fiction: A comparative analysis of directorial approaches in Želimir Žilnik's 'Brooklyn-Gusinje' and Abbas Kiarostami's 'Close-Up' [PDF]
Zbornik Radova Akademije UmetnostiThis paper conducts a comparative analysis of two films by internationally renowned directors made within just a few years of each other - Brooklyn-Gusinje by Serbian filmmaker Želimir Žilnik and Close-Up by Iranian director Abbas Kiarostami.
Šabotić Sead
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Substantia, 2020 Introduction Year 2019 marked the semi-centennial since the release of Cool?, a seminal paper by Mpemba and Osborne that demonstrated the counterintuitively faster crystallization of warm water than the cold one when they are both cooled under the same ...
Vuk Uskokovic +3 more
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