Results 41 to 50 of about 98 (74)
Some of the next articles are maybe not open access.
Le documentaire historique au péril du « docufiction »
Vingtième Siècle: Revue D'histoire, 2005Résumé Alors que le documentaire historique était cantonné sur les chaînes thématiques du câble et du satellite ou programmé entre minuit et cinq heures du matin sur les grandes chaînes hertziennes, il fait, à en croire les médias, un spectaculaire retour aux heures de grande écoute sous l’appellation de « docudrama » ou de « docufiction ».
François Garcon
exaly +2 more sources
Negotiating Filmmaking: Adaptation, Location and Docufiction
2020Chapter 2 contextualises Pedro Costa’s transition from a young director working within the constraints of Portuguese national cinema to an emergent European filmmaker enjoying a more efficient and substantial co-production framework. It traces Costa’s authorship and production processes of Casa de Lava (1994) and Bones (1997).
exaly +2 more sources
“Houston, We Have a Problem!” (2016): between Mocumentary and Docufiction
2023The movie shot by Slovenian film director Žiga Virc Houston, we have a problem! (2016), represent the mockumentary genre with some elements of docufiction. It dramatizes the myth of the existence of the Yugoslav space program, which was allegedly sold by Tito to the United States and consequently allowed astronauts to fly to the Moon in 1970.
exaly +2 more sources
Docufiction as an alternative for the research of George Bacovia's life and work
Ştiință și educație: noi abordări și perspective: Materialele conferinţei ştiinţifice internaţionale. Vol. 3: Ştiinţe umanisteThe starting point of the present paper is the question how can we re-read the life and work of a canonic writer, already re-interpreted in various and exquisite studies and books, which developed subtle and hued approaches. Accepting that the reception of a work is the result of continuous negotiations and critical changes, we aim at proving that the ...
exaly +2 more sources
Canadian Theatre Review, 1998
Leila Sujir interviewed by Sarah Murphy with excerpts from Leila Sujir’s The Dreams of the Night Cleaners Murphy: In The Dreams of the Nightcleaners, your docufictive approach to your material - the combination of document, drama, fiction and fantasy in a multilayered fantasy - yields an extraordinarily rich and complex final product.
openaire +1 more source
Leila Sujir interviewed by Sarah Murphy with excerpts from Leila Sujir’s The Dreams of the Night Cleaners Murphy: In The Dreams of the Nightcleaners, your docufictive approach to your material - the combination of document, drama, fiction and fantasy in a multilayered fantasy - yields an extraordinarily rich and complex final product.
openaire +1 more source
2016
This chapter discusses the international film culture of the 1960s and 1970s against the backdrop of the massive urbanisation of what used to be called the ‘Third World’. During these decades not only did world cinema modernise itself in the form of numerous, highly politicised and predominantly leftist, ‘new waves’, but so, too, did many (mega)cities ...
openaire +1 more source
This chapter discusses the international film culture of the 1960s and 1970s against the backdrop of the massive urbanisation of what used to be called the ‘Third World’. During these decades not only did world cinema modernise itself in the form of numerous, highly politicised and predominantly leftist, ‘new waves’, but so, too, did many (mega)cities ...
openaire +1 more source