Results 51 to 60 of about 98 (74)

Zwischen ‚Doku‘ und ‚Fiktion‘? die hybride Vielfalt der docufiction

2011
exaly   +2 more sources

Docufictions: an interview with Martin Scorsese on documentary film

Film History: An International Journal, 2007
Scorsese discusses the documentary impulse in his own films and the films of others, as well as classic documentaries and his own documentary work. Films dealt with include Paisan, Open City, Elephant Boy, Crisis, Who’s That Knocking on My Door, Two Rode Together, Italianamerican, Casino, Goodfellas, Memphis Belle, Battle of San Pietro, The Battle of ...
openaire   +1 more source

Reading docufiction: Jia Zhangke's24 City

Journal of Chinese Cinemas, 2014
Jia Zhangke's 24 City (2008) combines the work of professional actors with interviews of actual Chinese state employees to create a blended genre that illustrates changing economic fortunes in the 21st century. Through the medium of a new, hybrid filmic language, Jia articulates his concerns about the limitations of postsocialist realism and ...
openaire   +1 more source

Reclaiming “geballte linke Energie”: War in Alexander Kluge’s Docufiction Heidegger auf der Krim

Seminar, 2014
In his docufiction Heidegger auf der Krim, the German author, director and television producer Alexander Kluge rekindles the polemical debate between two towering figures of German philosophy (Heidegger and Adorno). The nucleus of the story emerges in a discussion with Heiner Muller on the role of the intellectual faced with war and dictatorship; but ...
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Docufictions:

2017
Raffaele Donato, Martin Scorsese
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Brisures du romaneque: 'La Malédiction de la Madone', ou d'une pratique ironique du docufiction.

2023
La Malédiction de la Madone, pubblicato nel 2022, è il primo romanzo in cui Philippe Vilain, scrittore tra i maggiori rappresentanti dell’autofinzione, ab- bandona la narrazione in prima persona per un “docufiction” in terza persona basato sulla vita della camorrista Pupetta Maresca.
openaire   +1 more source

Ce que le docufiction fait au documentaire / ce que le documentaire fait au docufiction : l’exemple des films d’archéologie à la télévision

2016
Cet article propose d’analyser les changements provoqués par l’irruption du « docufiction » sur les films archéologiques diffusés à la télévision hertzienne française dans les années 2000. Le reproche le plus fréquemment adressé au docufiction est son côté « spectaculaire » et aussi le fait qu’il utilise des formes fictionnelles qui risquent de fausser
openaire   +1 more source

il radiodocumentario: dalla registrazione della realtà alla docufiction

2015
Radiodocumentary as a possibility of representing reality: from sounds catching to docufiction.
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Docufictions: essays on the intersection of documentary and fictional filmmaking

Choice Reviews Online, 2006
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Variations du docufiction. Mars, entre documentaire et projection futurologique

Mars, série docufiction diffusée entre 2016 et 2018, entremêle récits fictionnel et documentaire afin de relater la première mission humaine sur la planète rouge en 2033. Adaptée du livre How We’ll Live on Mars, la série est un cas exemplaire de « docufiction futurologique », sous-genre que l’article vise à définir comme une variation générique du ...
Gueraud-Pinet, Guylaine, Lafon, Benoit
openaire   +1 more source