Results 71 to 80 of about 250 (106)

Reading docufiction: Jia Zhangke's24 City

Journal of Chinese Cinemas, 2014
Jia Zhangke's 24 City (2008) combines the work of professional actors with interviews of actual Chinese state employees to create a blended genre that illustrates changing economic fortunes in the 21st century. Through the medium of a new, hybrid filmic language, Jia articulates his concerns about the limitations of postsocialist realism and ...
Deppman, Hsiu-Chuang
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Le documentaire historique au péril du « docufiction »

Vingtième Siècle: Revue D'histoire, 2005
Résumé Alors que le documentaire historique était cantonné sur les chaînes thématiques du câble et du satellite ou programmé entre minuit et cinq heures du matin sur les grandes chaînes hertziennes, il fait, à en croire les médias, un spectaculaire retour aux heures de grande écoute sous l’appellation de « docudrama » ou de « docufiction ».
François Garcon
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Drama as Docufiction

Canadian Theatre Review, 1998
Leila Sujir interviewed by Sarah Murphy with excerpts from Leila Sujir’s The Dreams of the Night Cleaners Murphy: In The Dreams of the Nightcleaners, your docufictive approach to your material - the combination of document, drama, fiction and fantasy in a multilayered fantasy - yields an extraordinarily rich and complex final product.
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“Houston, We Have a Problem!” (2016): between Mocumentary and Docufiction

2023
The movie shot by Slovenian film director Žiga Virc Houston, we have a problem! (2016), represent the mockumentary genre with some elements of docufiction. It dramatizes the myth of the existence of the Yugoslav space program, which was allegedly sold by Tito to the United States and consequently allowed astronauts to fly to the Moon in 1970.
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Docufiction as an alternative for the research of George Bacovia's life and work

Ştiință și educație: noi abordări și perspective: Materialele conferinţei ştiinţifice internaţionale. Vol. 3: Ştiinţe umaniste
The starting point of the present paper is the question how can we re-read the life and work of a canonic writer, already re-interpreted in various and exquisite studies and books, which developed subtle and hued approaches. Accepting that the reception of a work is the result of continuous negotiations and critical changes, we aim at proving that the ...
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Ce que le docufiction fait au documentaire / ce que le documentaire fait au docufiction : l’exemple des films d’archéologie à la télévision

, 2016
Cet article propose d’analyser les changements provoqués par l’irruption du « docufiction » sur les films archéologiques diffusés à la télévision hertzienne française dans les années 2000. Le reproche le plus fréquemment adressé au docufiction est son côté « spectaculaire » et aussi le fait qu’il utilise des formes fictionnelles qui risquent de fausser
SCHALL, Céline
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Brisures du romaneque: 'La Malédiction de la Madone', ou d'une pratique ironique du docufiction.

, 2023
La Malédiction de la Madone, pubblicato nel 2022, è il primo romanzo in cui Philippe Vilain, scrittore tra i maggiori rappresentanti dell’autofinzione, ab- bandona la narrazione in prima persona per un “docufiction” in terza persona basato sulla vita della camorrista Pupetta Maresca.
Madonia FP
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il radiodocumentario: dalla registrazione della realtà alla docufiction

, 2015
Radiodocumentary as a possibility of representing reality: from sounds catching to docufiction.
Abbiezzi, Paola
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Variations du docufiction. Mars, entre documentaire et projection futurologique

Mars, série docufiction diffusée entre 2016 et 2018, entremêle récits fictionnel et documentaire afin de relater la première mission humaine sur la planète rouge en 2033. Adaptée du livre How We’ll Live on Mars, la série est un cas exemplaire de « docufiction futurologique », sous-genre que l’article vise à définir comme une variation générique du ...
Gueraud-Pinet, Guylaine, Lafon, Benoit
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2 Negotiating Filmmaking: Adaptation, Location and Docufiction

2020
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