Results 71 to 80 of about 799 (113)
Parrhesia in the age of the ultra-unreal:Independent non-fiction filmmaking in 21st century China [PDF]
, 2020 Parry, R.E.
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Metamorphoses of a Genre: British and Italian Sound Docudrama in Context and Contemporary Production [PDF]
, 2019 Macchiavelli, Sabina
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Je est un autre : la rencontre docufictive dans le Forget Show et autres essais vidéographiques
Depuis plus de cinq ans, je poursuis une recherche portant sur les fictions sous-jacentes à mon réel et ce, afin d'en faire émerger de nouveaux récits. Situé à la frontière du documentaire et de la fiction, mon travail se base sur une méthode d'autofilmage et de documentation obsessive me permettant d'aborder le monde et de provoquer des situations ...
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My friend is a WWI soldier: docufictions on social networks
, 2015 Bouko, Catherine, Dondero, Giulia
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“Houston, We Have a Problem!” (2016): between Mocumentary and Docufiction
2023The movie shot by Slovenian film director Žiga Virc Houston, we have a problem! (2016), represent the mockumentary genre with some elements of docufiction. It dramatizes the myth of the existence of the Yugoslav space program, which was allegedly sold by Tito to the United States and consequently allowed astronauts to fly to the Moon in 1970.
Krasovec Aleksandra
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Negotiating Filmmaking: Adaptation, Location and Docufiction
2020Chapter 2 contextualises Pedro Costa’s transition from a young director working within the constraints of Portuguese national cinema to an emergent European filmmaker enjoying a more efficient and substantial co-production framework. It traces Costa’s authorship and production processes of Casa de Lava (1994) and Bones (1997).
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