Results 81 to 90 of about 799 (113)
Some of the next articles are maybe not open access.
Reading the docufiction script: Harnessing the thin line between facts and fiction
Journal of Screenwriting, 2022The ethical issues raised by merging facts and fiction in docufiction screenplays as a genre suitable for social impact storytelling still linger. Hence, for the intended message to be effectively passed, the genre, formatting and narrative technique have to be clearly established for the readership’s consumption.
John Iwuh, Nicodemus Adai Patrick
openaire +1 more source
Le documentaire historique au péril du « docufiction »
Vingtième Siècle: Revue D'histoire, 2005Résumé Alors que le documentaire historique était cantonné sur les chaînes thématiques du câble et du satellite ou programmé entre minuit et cinq heures du matin sur les grandes chaînes hertziennes, il fait, à en croire les médias, un spectaculaire retour aux heures de grande écoute sous l’appellation de « docudrama » ou de « docufiction ».
exaly +2 more sources
Canadian Theatre Review, 1998
Leila Sujir interviewed by Sarah Murphy with excerpts from Leila Sujir’s The Dreams of the Night Cleaners Murphy: In The Dreams of the Nightcleaners, your docufictive approach to your material - the combination of document, drama, fiction and fantasy in a multilayered fantasy - yields an extraordinarily rich and complex final product.
openaire +1 more source
Leila Sujir interviewed by Sarah Murphy with excerpts from Leila Sujir’s The Dreams of the Night Cleaners Murphy: In The Dreams of the Nightcleaners, your docufictive approach to your material - the combination of document, drama, fiction and fantasy in a multilayered fantasy - yields an extraordinarily rich and complex final product.
openaire +1 more source
Dispositifs de feintise dans le docufiction radiophonique [PDF]
Questions De Communication, 2013 Tres tot, la radio s’est imposee comme le media du direct : il etait enfin possible de rendre compte du monde sans attendre que chauffent les rotatives. Des emissions comme Maremoto (Cusy, Germinet, 1924) ou La Guerre des mondes (Welles, 1938), fictions entendues comme des elements de realite, ont affole les auditeurs et montre le pouvoir de conviction
exaly +4 more sources
2016
This chapter discusses the international film culture of the 1960s and 1970s against the backdrop of the massive urbanisation of what used to be called the ‘Third World’. During these decades not only did world cinema modernise itself in the form of numerous, highly politicised and predominantly leftist, ‘new waves’, but so, too, did many (mega)cities ...
openaire +1 more source
This chapter discusses the international film culture of the 1960s and 1970s against the backdrop of the massive urbanisation of what used to be called the ‘Third World’. During these decades not only did world cinema modernise itself in the form of numerous, highly politicised and predominantly leftist, ‘new waves’, but so, too, did many (mega)cities ...
openaire +1 more source
Reading docufiction: Jia Zhangke's24 City
Journal of Chinese Cinemas, 2014Jia Zhangke's 24 City (2008) combines the work of professional actors with interviews of actual Chinese state employees to create a blended genre that illustrates changing economic fortunes in the 21st century. Through the medium of a new, hybrid filmic language, Jia articulates his concerns about the limitations of postsocialist realism and ...
openaire +1 more source