Results 31 to 40 of about 799 (113)

My Friend is a WWI Soldier: A Semiopragmatic Approach to Docufictions on Social Networks [PDF]

open access: yesPunctum. International Journal of Semiotics, 2015
At the beginning of the twentieth-first century, notable for the triumph of both fiction and a taste for reality (Veyrat-Masson 2008), interactive documentary-dramas appeared on social networks. These Internet-based audiovisual productions invite semiotics to reconsider its tools in order to grasp their complex, hybrid nature, above and beyond the ...
Dondero, Maria Giulia, Bouko, Catherine
openaire   +2 more sources

Le web-documentaire à l’épreuve de ses contradictions [PDF]

open access: yes, 2016
International audienceLe web-documentaire confronté à la théorie du document de Pédauque révèle des orientations pour le document numérique et un périmètre qui ne cesse de s'élargir.
Broudoux, Evelyne
core   +1 more source

Identidades estigmatizadas y su refiguración performativa en César debe morir

open access: yesFotocinema: Revista Científica de Cine y Fotografía, 2016
El filósofo Ian Hacking ha afirmado, siguiendo a Sartre: “Posibilidad, proyecto y prisión son una misma cosa”. En ese trabajo, nos interesa seguir esta pista utilizando como desencadenante del análisis el film César debe morir (Paolo y Vittorio Taviani ...
Moira Pérez, Gilda Bevilacqua
doaj   +1 more source

Guidelines for the Structure of Methodological Processes in Visual Anthropology [PDF]

open access: yes, 2011
Vast majority of visual anthropologists of the 20th century were more focused on general phenomenology of visual anthropology, i.e. the content aspect of their works and their impact on scientific knowledge, leaving behind style of directing and ...
Nikša Sviličić
core   +1 more source

Performativity of rape culture through fact and fiction:An exploration of India’s Daughter and Anatomy of Violence [PDF]

open access: yes, 2020
The power and influence of film and documentaries in public discourse and in formal pedagogical practices is recognized as critical. The content and message of a documentary are likely to be regarded as the ‘truth’.
Barn, Ravinder, Devasundaram, Ashvin
core   +2 more sources

Emprunts, créations "sous influence" et équivalents [PDF]

open access: yes, 2009
International audienceOutre un champ indiquant la matrice lexicogénique (interne ou externe pour les seuls vrais emprunts, directs ou adaptés) du néologisme d'une fiche de la base néologique Neologia, deux autres champs notent une éventuelle influence ...
Humbley, John   +2 more
core   +3 more sources

Puszkin i Owidiusz [PDF]

open access: yes, 2019
Alexander Pushkin knew what he shared with Ovid. Both were exiled, having enjoyed a splendid life, both were highly gifted, and not too shy of erotic adventures – of which they speak amply in their poetry.
Schade, Gerson
core   +2 more sources

Navigating Class, Gender, and Urban Mobile Spaces: Dissecting Iranian Car Social Spaces in Cinematic Narratives

open access: yesArts
This study scrutinizes the active role of mobile urban spaces in shaping and generating social space. It explores the depiction of car spaces in two Iranian films in their cinematic narratives, symbolic meanings, and influence on the perceptions of urban
Nasim Naghavi
doaj   +1 more source

Trafficking in Human Beings: Made and Cut to Measure? Anti-trafficking Docufictions and the Production of Anti-trafficking Truths [PDF]

open access: yesCultural Sociology, 2018
This article responds to Gozdziak’s (2015: 30) call to explore how the knowledge that informs public debates about human trafficking is generated. Media imagery and narratives play a significant role in constructing both knowledge and ignorance. This article reflects on the construction of such knowledge by analysing how anti-trafficking docufiction ...
Sharapov, Kiril, Mendel, Jonathan
openaire   +2 more sources

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