Results 61 to 70 of about 1,905 (170)

9/11, Hyperreality, and the Global Body Politic: Frédéric Beigbeder’s Windows on the World

Studies in 20th & 21st Century Literature, 2015
This essay argues that the success of Frédéric Beigbeder's Windows on the World is due to Beigbeder's use of the seemingly contradictory genres of autofiction and hyperrealism in the depiction of the terrorist attacks of September 11, 2001.
Jenn Brandt
doaj   +1 more source

Collective identities in Ted Wilson’s autofiction film, Under the Cover of Cloud

Studies In Australasian Cinema
Autofictional cinema is broadly understood as a genre of filmmaking that unsettles the generic limits of documentary and fiction film by using the director as subject [Forné and López-Gay 2022.
N. Maloney, Anna. Dzenis
semanticscholar   +1 more source

De la autoficción a la ficción colectiva: Y todos éramos actores: un siglo de luz y sombra de Gustavo Gac-Artigas

Impossibilia: Revista Internacional de Estudios Literarios, 2017
Resumen: El propósito de este estudio es explorar la expansión de las fronteras de la autoficción a través del análisis de Y todos éramos actores: un siglo de luz y sombra del escritor y director de teatro chileno Gustavo Gac-Artigas, novela que si bien ...
Priscilla Gac-Artigas
doaj  

Cognition et Hybridité. Le lecteur dans la zone grise

Cahiers de Narratologie, 2015
The aim of this article is to reassess the generic ambiguity inherent in autofiction from a cognitive point of view. Indeed, in the wake of the recent debate on autofiction, we would like to examine, not the nature, but the reception of these ambiguous ...
Arnaud Schmitt
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Life Writing, Autofiction and Late Career (Non)Fiction: Keeping Memory Alive

Lucian Blaga Yearbook
The present essay aims to perform an analysis of life writing endorsed by several interconnected and equally relevant perspectives: memoir writing related to the intellectual and cultural context of a particular age and the enduring power of nonfiction ...
E. Burdușel
semanticscholar   +1 more source

George Sand, Un hiver à Majorque et ses deux auberges espagnoles

Cahiers d’Études Romanes, 2007
L’étude des deux auberges où George Sand a logé en Espagne permet de mettre en question certaines idées reçues. Loin d’être, comme on le répète de nos jours, un récit de voyage à caractère autobiographique, Un hiver à Majorque apparaît de plus en plus ...
Antoni Ferrer
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De l’autofiction genrée en tant que « non-fiction », un paradoxe ?

Pitannâ Lìteraturoznavstva
This text aims to explore the concept of autofiction as a form of non-fiction, challenging the definitions traditionally assigned to each of these genres.
Danielle Pascal-Casas
semanticscholar   +1 more source

Exploring Ageism as a Structure of Consciousness Across the Female Life Course Through the Work of Simone de Beauvoir. [PDF]

Gerontologist, 2023
Pickard S.
europepmc   +1 more source

Autofiction in París no se acaba nunca (2003), by Enrique Vila-Matas, and in No voy a pedirle a nadie que me crea (2016), by Juan Pablo Villalobos

Signos Literarios
This article evaluates how the autoficitional discourse is constructed in two contemporary novels: París no se acaba nunca (2003) by the Spanish author Enrique Vila-Matas, and No voy a pedirle a nadie que me crea by the Mexican author Juan Pablo ...
Freddy Carrera Silva, Paulina Alejandra Velázquez   +1 more
semanticscholar   +1 more source

Identity Games and Polemics Between the Arts: Marcel Proust and Claude Jutra [PDF]

Slovo a Smysl
Take It All (1964) is a remarkable autofiction film in which the Quebec filmmaker Claude Jutra (1930–1986) responds to Proustian theories about the superiority of literature (a ‘pure art’) over cinema and other arts based on ‘direct imitation of reality’
Eva Voldřichová Beránková
doaj   +1 more source