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Action-Ballet and Ballet-Pantomime
2020Chapter 2 considers developments in dance practice in the eighteenth and early nineteenth centuries, traditionally considered the period in which dance achieves autonomy as an art form. The plausibility of this standard dance historical narrative is critically discussed and questioned. The chapter examines how dance is theorised in relation to the fine
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Women & Performance: a journal of feminist theory, 1987
(1987). Classical ballet: A discourse of difference. Women & Performance: a journal of feminist theory: Vol. 3, No. 2, pp. 57-66.
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(1987). Classical ballet: A discourse of difference. Women & Performance: a journal of feminist theory: Vol. 3, No. 2, pp. 57-66.
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2001
Abstract The Nature of the Pantheon ballet company and the expectations it had to meet were established by the extraordinary changes that had occurred in the world of dance in London during the preceding decade. Ballet had become an increasingly important part of the opera company’s offerings during the 1770s, and large salaries were ...
Judith Milhous +2 more
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Abstract The Nature of the Pantheon ballet company and the expectations it had to meet were established by the extraordinary changes that had occurred in the world of dance in London during the preceding decade. Ballet had become an increasingly important part of the opera company’s offerings during the 1770s, and large salaries were ...
Judith Milhous +2 more
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The Business of Ballet: Diaghilev’s Ballets Russes between Profit and the Avant-gardeexplores how a remarkable, internationally recognized ballet company, the Ballets Russes, was able to survive for twenty years without stable funding. Focusing on Ballets Russes’s founder, Serge Diaghilev, and his talent for discovering monies through an uncanny ...
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Ballet Carnival; A Companion to Ballet
Notes, 1956Paul Magriel, Margaret Crosland
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Tempo, 1947
Distance in time or space, it has been said, gilds formulas and styles; we turn to what is far away and ask for inspiration. By the light reflected from the past the artist endeavours to forge something new in harmony with his own period. Thus the great styles, always new and original, have in them at the same time something which we recognize as a ...
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Distance in time or space, it has been said, gilds formulas and styles; we turn to what is far away and ask for inspiration. By the light reflected from the past the artist endeavours to forge something new in harmony with his own period. Thus the great styles, always new and original, have in them at the same time something which we recognize as a ...
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A Study on Mechanical Images in Ballet : Focusing on Ballet Russe and Ballet Suedois
Korean Journal of Sports Science, 2022openaire +1 more source