The Validity of the Session Rating of Perceived Exertion Method for Measuring Internal Training Load in Professional Classical Ballet Dancers [PDF]
The aim of this study was to investigate the convergent validity of session rating of perceived exertion (s-RPE) with objective measures of internal training load (TL) in professional classical ballet dancers.
Joseph W. Shaw +9 more
doaj +4 more sources
Excessive Knee Internal Rotation during Grand Plié in Classical Ballet Female Dancers [PDF]
Classical ballet dancers are exposed daily to physically demanding movements. Among these, the Grand Plié stands out for its biomechanical complexity, particularly the stress applied to the knee joint.
Aspasia Fotaki +11 more
doaj +3 more sources
Amateur ballet practicing, body image and eating behaviors: a comparative study of classical ballet dancers, gym users and sedentary women [PDF]
Background Ballet dancers are a risk group for body image (BI) distortion, dissatisfaction and eating disorders (ED), but few studies have investigated these aspects in amateur adult practitioners.
Ruty Eulália de Medeiros Eufrásio +13 more
doaj +2 more sources
Corrective Training for the First Years of Classical Ballet at the Hungarian Dance University
At the beginning of the academic year, all students newly admitted to the classical ballet dancer training course at The Hungarian Dance University are assessed at the child development and therapy center called Bárányfelhő ...
Fanni Bogáti +2 more
doaj +3 more sources
Dancing The Gender: Chiaroscuros In/Of Classical Ballet [PDF]
Classical ballet imposes tensions on the bodies involved in it. That becomes a privileged scenario for listening to their voices concerning their subjective constitution.
Deysi Emilia García-Rodríguez +2 more
doaj +6 more sources
Unveiling Talent: Ballet Directors’ Role in Identifying and Developing Male Dancers Within Classical Ballet Companies [PDF]
Christine Nash, Mark Pace
exaly +2 more sources
Black Dancers and White Ballet: Case of Cuba
Throughout the XX century, the hard-fought battle of blacks and dark-skinned dancers to perform the classical repertoire on professional stages (including “white ballets”) was a part of the struggle for citizens’ equality.
Larisa Nikiforova +2 more
doaj +1 more source
Repetitions and Variations: The Embodied Cultural Memory of Ballet [PDF]
The corporeal practice of ballet training, comprised of visual and aural input along with kinesthetic awareness and sensation, serves to transmit and reify a specific form of embodied knowledge. Passed from generation to generation and body to body, from
Melonie B. Murray
doaj +1 more source
O corpo da cena no balé clássico: entre técnicas, expressividade e imitações prestigiosas
Considered as one of the possibilities of performing arts, the classical ballet can be understood as a way in which stories depend on characters who, without the use of words, enact stories which are typical of the traditional repertoire.
Kátia Silva Souza dos Anjos +2 more
doaj +1 more source

