Results 1 to 10 of about 56,050 (219)
Words into Movement: the Ballet as Intersemiotic Translation [PDF]
, 2007 Roman Jakobson, in his 1959 article “On Linguistic Aspects of Translation”, extended the concept of translation to include transfer between different sign systems.
Bennett, Karen
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IatreiaIntroduction: Classical ballet as a discipline pushes the joints of the lower limbs to the extremes of their capacity. Considering that the joints and ligaments of the foot and ankle are not designed for such excessive loads, "dance injuries" become very
Montoya González, Santiago +5 more
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The The Genesis of academic ballet theatre: historical development, personnel, expressive means [PDF]
, 2014 У статі проаналізовано та розглянуто академічний балет як цілісне явище хореографічної культури, а саме класичної хореографії кінця XVIII–XIX століття. Аналізуються дифеніція понять «романтичний балет», «академічний балет». Визначаються їх представники –
Шариков, Денис Игоревич
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БАЛЕТ ДЖОНА КРАНКА «ЕВГЕНИЙ ОНЄГИН» В НЕОКЛАСИЧНОМУ БАЛЕТІ [PDF]
, 2014 У статті проаналізовано особливість неокласичного стилю сучасної хореографії, зокрема у творчості видатного балетмейстера ХХ століття Джона Кранка і його балеті «Євгеній Онєгін». Також визначено основні критерії і принципи стилістики неокласики сучасному
Шариков, Д. І.
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Getting Past It's Not For People Like Us: Pacific Northwest Ballet Builds a Following with Teens and Young Adults [PDF]
, 2015 This case study examines how the Pacific Northwest Ballet set about trying to cultivate the next generation of ballet-goers. Focusing on teens and adults under the age of 25, the Seattle-based ballet company sought in part to knock down the view of many ...
Bob Harlow, Tricia Heywood
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The Masculine Other: Choreographing for the Asian Male Ballet Dancer [PDF]
, 2017 The Arts: 2nd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)Classical ballet tends to foreground images of women who are ethereal and lithe, and men who are chivalrous partners and virtuosic athletes.
Ha, Steven
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, 2021 Abstract This chapter explores the work of Scottish choreographer Michael Clark: his vexed relationship with British ballet and the mythologization of his work as ballet “gone wrong.” Problematizing this wrongness, the chapter makes three claims about Clark’s practice as a queer dissident classicism.
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Cena, 2020 This text discusses a methodological proposal to learnteach classical ballet using the somatic approaches Motor Coordination and the Laban/Bartenieff System.
Neila Cristina Baldi
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Faculty Recital: Pavel Nersessian, piano, October 3, 2017 [PDF]
, 2017 This is the concert program of the Faculty Recital: Pavel Nersessian, piano on Tuesday, October 3, 2017 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Rondo G major H.271; Wq.57/3 by Carl Philipp Emanuel Bach,
School of Music, Boston University
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