Results 71 to 80 of about 1,215 (163)
Is It ’Cause I’m Cool / Why You Dress Like Me is It Honesty or You Just a Fool
“I’m cool … / That’s cool … / He/She’s the coolest ...:” exclamations like these have described various types of elements: names, things, cities, characters, in a constant search of novelty and more à la page, more exciting and, of course, more niche ...
Vittorio Linfante
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De vándalo a artista: Banksy / From Vandal to Artist: Banksy
For ages writing on the walls –graffiti– has been interpreted as a form of vandalism and even iconoclasm, but modern graffiti, as it emerged in the late 1960s in Philadelphia, has come to be considered an art form. Several years after the ´60s, mainly in
David Moriente, Moriente, David
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Saving Banksy. Museos, comercialización y arte callejero [PDF]
Esta reseña describe y analiza el documental Saving Banksy, proyectado en el año 2017 y dirigido por Colin Day 2 , que está centrado en la obra del artista callejero Banksy.
Zárate, Lujana
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BANKSY: STREET ART FOR THE NEW GENERATION.
Street claimer, saboteur in the shadows. A simple name, a signature, a hooded figure. An attitude and aesthetic positioning always recognizable, recurrent, impertinent.
Paulo César Rodrigues Diógenes
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A tettleges véleménynyilvánítás alkotmánybírósági megítélése
Megrongálható-e vagyontárgy a tulajdonos hozzájárulása nélkül? Vélhetően mindenki ösztönös válasza az, hogy nem. A profi jogász viszont óvatosabb, és e kérdésre úgy felel, hogy attól függ.
Lóránt Csink
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Street art, Banksy and Palestine
Soğuk Savaş sonrası iletişimin neredeyse sınırsız yaşanması, toplumsal olayları insanlığın beraber yaşamasına neden olmuştur. Herkesin her şeyden haberdar olması protestonun fazlasıyla önünü açmıştır.
Karaca, Ayça
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Birlikte Değer Yaratma Bağlamında Türkiye Literatüründe Banksy: Eleştirel Bir Analiz
Savaş karşıtı, çevre ve toplumsal olaylara duyarlı çalışmalarıyla tüm dünyada tanınan sokak sanatçısı Banksy son yıllarda Türkiye’de de akademik çalışmalara konu olmaktadır.
ÖZDEMİR, Özge GÖKBULUT
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Street Art and Museum: “museumphobia” or “museumphilia”?
At the beginning of the (short) story of Street Art there was no worse enemy than a museum for an art which was born transgressive and at the edge of criminality.
Francesca Iannelli
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Turismo/migrazione. Termini di una categoria enantiomorfa
This article examines a relationship, which in the last decades has become increasingly recurrent, the one between tourism and migration. Under the complex macrocategory of mobility, two narrative programmes stand out about the couple tourism/migration:
Tiziana Migliore
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Banksy, l’art de la revendication
International audienceÀ travers deux symboles de l’empire économique américain, Disney et McDonald’s, inscrits dans une évocation de la guerre du Vietnam, Banksy dénonce l’indifférence du monde politique et des affaires face aux souffrances des ...
Fleck, Nathalie
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