Results 81 to 90 of about 5,439 (221)
The street as an artistic space for women: The writer and the street artist [PDF]
, 2018 Women have always been in the graffiti world. To a lesser extent than the males but it was indeniable. The same problems that a woman has every day in her work had the writer in her environnment. It was dangerous activity and it was tried to protect in a
García Pardo, Belén
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Ricerche di S/Confine, 2011 Si riflette sul rapporto tra la Street Art e la barriera costruita dallo Stato di Israele attorno ai territori palestinesi attraverso l'analisi degli interventi di Banksy a partire dal 2005.
Marco Scotti
doaj
Revista Polis e Psique, 2019 Este trabalho apresenta uma análise realizada sobre uma das obras de Banksy – expoente da street art contemporânea – o documentário “Exit through the gift shop”. O foco do estudo, porém, está no protagonista dessa narrativa: Thierry Guetta, um imigrante
João Pedro Cé, Adolfo Pizzinato
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5 Pointz down: the New York District Court ruling on ‘Graffiti Mecca’ [PDF]
, 2014 This is a case note on a New York District Court decision regarding the moral rights of graffiti ...
Burke, Shane
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Copyright Protection of Street Art and Graffiti under UK Law [PDF]
, 2017 This article aims at analyzing to what extent UK copyright law is capable of regulating various forms of art placed in the streets. "Graffiti" and "street art" are the main terms used to define these artistic movements.
Bonadio, E.
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Service-Learning, the Arts, and Incarceration [PDF]
, 2017 This paper describes three different service-learning approaches the authors utilized in graduate art education students and incarcerated residents at a municipal jail facility.
Buffington, Melanie +2 more
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, 2014 The term "pastiche" originally means a "pasty" or "pie" dish containing several different ingredients. It has come to be used synonymously with a variety of terms whose meanings are rarely fixed with clarity: parody, montage, quotation, allusion, irony ...
Weiser, Peg Zeglin Brand
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BANKSY: STREET ART FOR THE NEW GENERATION.
Travessias, 2011 Street claimer, saboteur in the shadows. A simple name, a signature, a hooded figure. An attitude and aesthetic positioning always recognizable, recurrent, impertinent.
Paulo César Rodrigues Diógenes
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A Gallery for the Outlaw: Archiving the Art of the Iconoclast [PDF]
, 2013 © Caitlin M.J.
Battleground, Andrea L. +1 more
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La producción creativa del territorio: alternativas de apropiación simbólica [PDF]
, 2012 La producción de las ciudades como esfera pública, ha respondido a las cualidades de su vitalidad, caracterizada por su constante cambio que a su vez, es producto de los procesos de adaptación que sus actores enfrentan al entorno social, político ...
Pozes, Jesús Alberto
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