ALL THAT GLITTERS: THE MANY OBJECTS OF ROME'S MUSEUM OF CIVILIZATIONS
History and Theory, Volume 64, Issue 3, Page 422-452, September 2025.ABSTRACT This review article examines the various methodologies practiced by Rome's Museum of Civilizations (Museo delle Civiltà) to discuss the contemporary curatorial approaches of traditional ethnographic museums. It adopts a historical and comparative perspective to situate the diverse collections within ongoing debates about art restitution.
Arielle Xena Alterwaite
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Ribald Man with a cranky look. The Sarmatian portrait as the pop-cultural symbol of the Baroque in Poland [PDF]
Journal of Art Historiography, 2016 This article analyses how it was that the Sarmatian portrait, a phenomenon typical of Polish Baroque art in the twentieth century, came to be a symbol of Polishness, and to what extent this pop-cultural vision of the ‘Polish Baroque’ was formed by ...
Emilia Kłoda, Adam Szeląg
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Boston University Baroque Orchestra, November 17, 2010 [PDF]
, 2010 This is the concert program of the Boston University Baroque Orchestra performance on Wednesday, November 17, 2010 at 8:00 p.m., at Marsh Chapel, 735 Commmonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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A Meaning of Baroque in terms of Space Syntax [PDF]
, 2006 A city is a spatial system that is generated in the process of searching for an ideal form. From the structure of a city, we can find paradigms of the past in which worldviews of the society are instilled.
Furuyama, Masao +2 more
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Le Roman français au crépuscule de l’âge baroque (1643–1661) . Sous la direction de Frank Greiner Le Roman français au crépuscule de l’âge baroque (1643–1661) . Sous la direction Greinerde Frank. (Rencontres, 532; Le Siècle classique, 16.) Paris: Classiques Garnier, 2021. 329 pp. [PDF]
, 2023 Kathleen Wine
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, 2018 The forms and proportions of the Baroque column order of the buildings in St. Petersburg of the XVIII century differ substantially from the Western European canonical designs.
E. Vozniak, T. Slavina, A. Kopytova
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“The works themselves refute geographical separatism”: Exhibiting the Baroque in Cold War Britain [PDF]
Journal of Art Historiography, 2016 This article examines the collaborative exhibition Baroque in Bohemia (1969) to analyse the significance of the baroque style in Cold War cultural diplomacy between Britain and Czechoslovakia.
Verity Clarkson
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Faculty recital series: Victor Coelho, theorbo, David Dolata, tiorbino and theorbo, Gian Paolo Fagotto, tenor, April 4, 2006 [PDF]
, 2006 This is the concert program of the Faculty recital series: Victor Coelho, theorbo, David Dolata, tiorbino and theorbo, Gian Paolo Fagotto, tenor performance on Tuesday, April 4, 2006 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue. Works performed
School of Music, Boston University
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Baroque sentence geometry in the play Nevinost ili Svetislav i Mileva (1827) (Innocence or Svetislav and Mileva) by Jovan Sterija Popović [PDF]
Baština, 2019 A syntactic organization in the play Nevinost Ili Svetislav i Mileva (1827) (Innocence or Svetislav and Mileva) by Jovan Sterija Popović is far away from the present day holders of the standard Serbian language.
Mihajlović Milica M.
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