Results 11 to 20 of about 39,702 (267)

Expertise-Dependent Brain Network Organization During Music Perception. [PDF]

Hum Brain Mapp
Brain state dynamics adjust to the processing demands of different musical pieces, with higher expertise linked to higher network integration and flexibility in functional organization, enabling more effective adaptation to the challenges of music listening.
Papadaki E, Lin Z, Werner A, Brandmaier AM, Lindenberger U, Kühn S, Wenger E.   +6 more
europepmc   +2 more sources

The culture of JACMP, the sanctity of editorial independence, and why your ego is not your amigo. [PDF]

J Appl Clin Med Phys
Journal of Applied Clinical Medical Physics, Volume 26, Issue 12, December 2025.
Mills MD.
europepmc   +2 more sources

Viktor Zhivov "Toward a Typology of the Baroque in Russian Literature of the XVII—Early XVIII Centuries"

Вивліоѳика, 2021
Viktor Zhivov’s 2007 article, here translated into English for the first time, attempts to describe the specific nature of the Baroque in Russia. According to Zhivov, Russian Baroque culture arose via transplantation and was not the result of organic ...
Marcus Levitt
doaj   +1 more source

“A Well-organized Disorder”. A Look at the Spanish American Neo-baroque [PDF]

Литература двух Америк, 2023
The article consists of two parts: theory and artistic practice. The first part examines the history of the concept of Latin American Neo-Baroque. It begins in European art history, first, when J. Burkhard characterized the Baroque as a certain period in
Andrey F. Kofman
doaj   +1 more source

« “Les rythmes de la vie nue” : enjeux phénoménologiques de l’interdisciplinarité du baroque (Wölfflin, Chastel, Raymond, Rousset) »

Etudes Epistémè, 2023
The aim of this article is to show how several scholars, historians of art and literature, have focused, in order to go against the original lexicological flaw of the Baroque, on making its history from disciplinary paradigms.
Maxime Cartron
doaj   +1 more source

Ancora sui goûts réunis: Michele Mascitti, Giovanni Antonio Guido e l’eredità di Corelli e Vivaldi in Francia nella prima metà del Settecento

De Musica Disserenda, 2015
The subject isthe reception of Italian instrumental music in France during the first decades of the eighteenth century. After examining the diffusion of music by Corelli and Vivaldi – the two Italian composers who exerted the most durable influence on ...
Barbara Nestola
doaj   +1 more source

Inclination towards Baroque in Contemporary Figurative Painting [PDF]

پیکره, 2014
The Baroque period started a great revolution in the realm of painting. One of the most important benefits was that much more expressive possibilities were introduced in painting. Various newly formed qualities created a visually effective language which
Hojat Allah Saadatfar
doaj   +1 more source

Clay Minerals in European Painting of the Mediaeval and Baroque Periods

Minerals, 2020
Clay-based pigments are among the most traditional. Unlike other mineral pigments, they have never been fully replaced by synthetic analogues and are still used in painting today. Since their analysis requires a specific approach, detailed distinction of
D. Hradil, J. Hradilová, P. Bezdička
semanticscholar   +1 more source

Principles of baroque music: Improvisation, ornamentation, polyphony [PDF]

Zbornik Radova Akademije Umetnosti, 2016
The analysis of mutual dependence of historical compositional, historical interpretative practice and the properties of historical instruments is essential for baroque style revival.
Stojanović-Kutlača Svetlana
doaj   +1 more source

Francisco Corbetta’s Contribution to the Evolution of the Baroque Guitar [PDF]

Dialogica: Revistă de Studii Culturale și Literatură, 2022
In Italy from the Baroque period, the guitar became one of the most frequently used musical instruments, being fully integrated into the social and cultural context – carnival, pastoral or masquerade.
Mihail AGAFIȚA
doaj   +1 more source