Results 31 to 40 of about 14,763 (236)

Representing Reggaeton in the Museum: Affect, Industry and the Cautious Curation of Popular Music Heritage

Curator: The Museum Journal, EarlyView.
ABSTRACT In recent years, there has been a growing interest in the curation of reggaeton as museums working with Latinx Caribbean culture across the United States are making efforts to include the popular music genre in their exhibition programming. This paper draws on interviews with museum and exhibition curators at the Grammy Museum (Los Angeles ...
Lauren Chalk
wiley   +1 more source

“The Growth of Interest”. Richard Wollheim on F. H. Bradley's Moral Psychology

European Journal of Philosophy, EarlyView.
Abstract This paper aims to reconstruct two key stages of Richard Wollheim's engagement with the moral psychology of F. H. Bradley—first in his 1959/1969 book on Bradley, and later in his 1993 collection of essays, The Mind and its Depths—and to connect them to Wollheim's own account of a dynamic moral psychology, as detailed in The Thread of Life ...
Paolo Babbiotti
wiley   +1 more source

Лабіринтом праць Дмитра Чижевського: чеське літературне бароко

Opera slavica, 2013
The article deals with D. Čyževskyj's publications in which Czech literary Baroque is touched upon. The author points out two dominant aspects of these works: Baroque symbolism (on the basis of spiritual songs of the pre-Baroque) and Baroque worldview ...
Oksana Blaškìv
doaj  

Mervyn Peake’s Gormenghast Novels: a Baroque Hostility to Straight Lines

Études Britanniques Contemporaines, 2005
Can Peake’s Gormenghast novels be termed baroque? This paper suggests the beginnings of an answer by examining one aspect which is usually considered a distinguishing feature of baroque art, namely, its marked preference for curves, broken lines, spirals
Sophie Mantrant
doaj   +1 more source

Cognitive Theories of Galant Music at the Margins of Experience

Music Analysis, EarlyView.
ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
wiley   +1 more source

Victor-Lucien Tapié, polozapomenutý historik

Cornova, 2021
Victor-Lucien Tapié: a Forgotten Historian. The aim of this paper is to present the French historian Victor-Lucien Tapié, drawing on the years he spent in Bohemia with emphasis on translations of his writings and their reception.
Adam Štverka
doaj   +1 more source

ATMOSFEAR: Horror of nature and the nature of horror in Algernon Blackwood

Orbis Litterarum, EarlyView.
Abstract The impact that the stories of Algernon Blackwood (1869–1951) have had on the literature of the uncanny can hardly be overestimated. However, there is almost no research on Blackwood's life and work. Against the background of a presentation of themes and motifs of Blackwood's narrative œuvre, this article develops a characteristic of his ...
Dominic Angeloch
wiley   +1 more source

Wading through black jade in Marianne Moore’s sunken cathedral: The modernist sea poem as a Deleuzian fold

Studia Anglica Posnaniensia, 2015
The study is a close reading of Moore’s poem “The Fish” (1918) through the conceptual lens of Gilles Deleuze’s trope of the fold, as explained in his influential 1988 study of Leibniz, The Fold: Leibniz and the Baroque. The purpose is to explore Moore’s (
Ambroży Paulina
doaj   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

Renaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

Humanimals: A Socio‐Ecological Reading of the Marseille Plague of 1720

Journal for Eighteenth-Century Studies, Volume 48, Issue 3, Page 285-301, September 2025.
Abstract The aim of this article is to return to a small number of historically significant first‐person testimonies of the Marseille epidemic of 1720 in order to analyse in detail their construction and depiction of human exceptionality as a form of life in a time of plague.
David McCallam
wiley   +1 more source