Results 41 to 50 of about 39,702 (267)
Abstract This article examines the Yeditepe Biennial—Turkey's first Islamic and traditional arts biennial—as a creative festival shaped by the socio‐political and spatial dynamics of Turkish‐Islamist nationalism. Counterposed against the Istanbul Biennial and the Western‐oriented secular cultural legacy of the Turkish Republic, the Yeditepe Biennial ...
Hulya Arik, Sabrien Amrov
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De Stupro: First Insights on Rape and Its Prosecution in Maltese Courts (1701–10)
Abstract This article constitutes a first in‐depth investigation of rape and the prosecution of this crime in early eighteenth‐century Malta. The research, which is based on sixteen rape accusations claimed at the secular courts in Malta between 1701 and 1710, has analysed cases categorized as ‘simple rape’, ‘violent rape’ and rape committed under the ...
Vanessa Buhagiar
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The article analyses for the first time the décor motifs of the bronze chandeliers from Lithuania and Latvia in the 16th–18th century. More abundant objects in Latvia are used to reconstruct the lost heritage of chandeliers in Lithuania, and the variety,
Valtaitė-Gagač Alantė
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Macau as Method: Recombinant Urbanism in Post‐Socialist China
ABSTRACT In ‘Asia as Method’, Chen Kuan‐Hsing argues for the value of an indigenous inter‐Asian approach to analysing the effects of European imperialism on the countries and citizens of Asia. This article mobilises both Chen's inter‐Asian referencing strategy and the city‐state of Macau to explore Macau's role in China's engagements with global ...
Tim Simpson
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Abstract Examining work by Rowan Williams, this essay explores what he often refers to as the ‘difficulty’ of writing theology. The difficulty of theology lies in engaging the ruse of having ultimate answers to ultimate questions. The stakes are high: ‘God‐talk’ must concern itself with truth, with reality.
Graham Ward
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Music and social change during the Baroque period [PDF]
In a wide range of music history fields, the Baroque period has a prominent and unique position. This paper presents a comprehensive and detailed examination of the different musical features of the Baroque era.
Zhang Xinyue
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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Лабіринтом праць Дмитра Чижевського: чеське літературне бароко
The article deals with D. Čyževskyj's publications in which Czech literary Baroque is touched upon. The author points out two dominant aspects of these works: Baroque symbolism (on the basis of spiritual songs of the pre-Baroque) and Baroque worldview ...
Oksana Blaškìv
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Victor-Lucien Tapié, polozapomenutý historik
Victor-Lucien Tapié: a Forgotten Historian. The aim of this paper is to present the French historian Victor-Lucien Tapié, drawing on the years he spent in Bohemia with emphasis on translations of his writings and their reception.
Adam Štverka
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Écrire le Baroque, écrire baroque
Cet article est un compte-rendu du livre : Pelegrin, Benito, Figurations de l'infini. L'Âge Baroque européen, Paris, Le Seuil, 2000.
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