Results 41 to 50 of about 171,735 (316)

The Baroque: Beads in a Rosary or Folds in Time [PDF]

open access: yes, 2007
When Benedetto Croce associated the baroque with decadence he was developing a current of critical thinking which had construed the term ‘baroque’ pejoratively since the seventeenth century.
Hills, Helen
core  

Mothers against the natural order: Gender representations and desertion of identities in the drama of disinheriting a son in eighteenth‐century Barcelona  

open access: yesGender &History, EarlyView.
ABSTRACT The disinheritance of a firstborn son accustomed to the privileges of exclusion has for centuries been a dramatic event for families, especially if the decision was taken by a woman, the son's own mother. Very few dared to do so, because it symbolised a break with the notion of virtuous, compassionate motherhood; it represented a failure to be
Mariela Fargas Peñarrocha
wiley   +1 more source

Prayers Reused

open access: yesHungarian Studies Yearbook
The Research Group on Baroque Literature and Spirituality, which has been active since 2012, among other researches aims to study the history of prayers in Hungary before 1800.
Bajáki Rita
doaj   +1 more source

Boston University Baroque Orchestra with Boston Baroque, April 25, 2005 [PDF]

open access: yes, 2005
This is the concert program of the Boston University Baroque Orchestra with Boston Baroque performance on Monday, April 25, 2005 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue. Works performed were Concerto grosso, Op. 3 No. 11 by Antonio Vivaldi,
School of Music, Boston University
core  

Macau as Method: Recombinant Urbanism in Post‐Socialist China

open access: yesAsia Pacific Viewpoint, EarlyView.
ABSTRACT In ‘Asia as Method’, Chen Kuan‐Hsing argues for the value of an indigenous inter‐Asian approach to analysing the effects of European imperialism on the countries and citizens of Asia. This article mobilises both Chen's inter‐Asian referencing strategy and the city‐state of Macau to explore Macau's role in China's engagements with global ...
Tim Simpson
wiley   +1 more source

Beyond ideology: Representations of the Baroque in socialist Czechoslovakia as seen through the media [PDF]

open access: yesJournal of Art Historiography, 2016
This paper focuses on representations of the Baroque in Czechoslovakia under state socialism (1948–1989). In this period, policies and politics had a huge impact on the ideological discourses that determined how the Baroque was to be officially ...
Lenka Řezníková
doaj  

“The Growth of Interest”. Richard Wollheim on F. H. Bradley's Moral Psychology

open access: yesEuropean Journal of Philosophy, EarlyView.
Abstract This paper aims to reconstruct two key stages of Richard Wollheim's engagement with the moral psychology of F. H. Bradley—first in his 1959/1969 book on Bradley, and later in his 1993 collection of essays, The Mind and its Depths—and to connect them to Wollheim's own account of a dynamic moral psychology, as detailed in The Thread of Life ...
Paolo Babbiotti
wiley   +1 more source

Décor Motifs of the Bronze Chandeliers in Lithuania and Latvia in the 16th to the 18th Century: Typology, Prevalence, Symbolism

open access: yesMeno Istorija ir Kritika, 2022
The article analyses for the first time the décor motifs of the bronze chandeliers from Lithuania and Latvia in the 16th–18th century. More abundant objects in Latvia are used to reconstruct the lost heritage of chandeliers in Lithuania, and the variety,
Valtaitė-Gagač Alantė
doaj   +1 more source

PERIPHERY TO CENTRE STAGE: THE SARRASANI CIRCUS IN WEIMAR GERMANY

open access: yesGerman Life and Letters, EarlyView.
ABSTRACT The modern European circus was more than just entertainment: it was a powerful platform where fantasies of empire, ideas of national identity, and notions of racial difference came together and were put on public display. In interwar Germany, the Sarrasani Circus — the largest circus enterprise in the country at the time — built on the legacy ...
Sabine Hanke
wiley   +1 more source

Baroque Chamber Music, February 26, 2000 [PDF]

open access: yes, 2000
This is the concert program of the Baroque Chamber Music performance on Saturday, February 26, 2000 at 8:00 p.m., at the Marshall Room, 855 Commonwealth Avenue.
School of Music, Boston University
core  

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