Results 81 to 90 of about 171,735 (316)

Baroque Chamber Music Concert, December 2, 2014 [PDF]

, 2014
This is the concert program of the Baroque Chamber Music Concert performance on Tuesday, December 2, 2014 at 6:30 p.m., at Robinson Chapel, 735 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Preposterous baroque: body and temporality in Néstor Perlongher and Severo Sarduy

Estudios de Teoría Literaria, 2015
This article examines how the baroque is theorized in texts written by Néstor Perlongher and Severo Sarduy during the global HIV crisis. I propose that by taking illness as a starting point, these writers develop the notion of the baroque as resistance ...
Cristel M. Jusino Diaz
doaj  

Bridging fiddle and classical communities in Calgary, Canada : the Baroque & Buskin’ String Orchestra [PDF]

, 2008
Publisher ...
Sereno-Janz, Elisa
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Cognitive Theories of Galant Music at the Margins of Experience

Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.
ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
wiley   +1 more source

Almodóvar’s Baroque Transitions in the Early Films (1980–1995)

Humanities
Spanish film director Pedro Almodóvar has been detected early on by film critics as a Baroque filmmaker, a qualification to which he has agreed in interviews.
Frederic Conrod
doaj   +1 more source

Baroque Sherlock: Benjamin’s friendship between «criminal and detective» in its fore- and afterlife

Aisthesis, 2017
The starting point of this paper is a statement that Benjamin makes in a group of notes he writes for his project of a detective novel (1933). Benjamin writes here that «criminal and detective could be so friends [so befreundet sein] as Sherlock Holmes ...
Alice Barale
doaj   +1 more source

Muir String Quartet, September 26, 2006 [PDF]

, 2006
This is the concert program of the Muir String Quartet performance on Tuesday, September 26, 2006 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Quartet in C Major, Op. 33, No.
School of Music, Boston University
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Humanimals: A Socio‐Ecological Reading of the Marseille Plague of 1720

Journal for Eighteenth-Century Studies, Volume 48, Issue 3, Page 285-301, September 2025.
Abstract The aim of this article is to return to a small number of historically significant first‐person testimonies of the Marseille epidemic of 1720 in order to analyse in detail their construction and depiction of human exceptionality as a form of life in a time of plague.
David McCallam
wiley   +1 more source

Exhibitions on the Baroque as media of the construction of Austrian identities in the 20th century [PDF]

Journal of Art Historiography, 2016
This essay deals with the construction of national identity in Austria through museum presentations and exhibitions of Baroque art between 1900 and 1960. The approach understands museums and exhibitions as ‘media’ providing visual expression of a variety
Andreas Nierhaus
doaj  

Faculty recital series: Jonathan Bass, January 29 [PDF]

, 2007
This is the concert program of the faculty recital of Jonathan Bass on Monday, January 29, 2007 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Partita No.
School of Music, Boston University
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