Results 61 to 70 of about 87,973 (229)

Humanimals: A Socio‐Ecological Reading of the Marseille Plague of 1720

Journal for Eighteenth-Century Studies, Volume 48, Issue 3, Page 285-301, September 2025.
Abstract The aim of this article is to return to a small number of historically significant first‐person testimonies of the Marseille epidemic of 1720 in order to analyse in detail their construction and depiction of human exceptionality as a form of life in a time of plague.
David McCallam
wiley   +1 more source

An Evening of Negro Spirituals and Songs by African-American Composers, February 15, 2007 [PDF]

, 2007
This is the concert program of the Evening of Negro Spirituals and Songs by African-American Composers performance on Thursday, February 15, 2007 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

ALL THAT GLITTERS: THE MANY OBJECTS OF ROME'S MUSEUM OF CIVILIZATIONS

History and Theory, Volume 64, Issue 3, Page 422-452, September 2025.
ABSTRACT This review article examines the various methodologies practiced by Rome's Museum of Civilizations (Museo delle Civiltà) to discuss the contemporary curatorial approaches of traditional ethnographic museums. It adopts a historical and comparative perspective to situate the diverse collections within ongoing debates about art restitution.
Arielle Xena Alterwaite
wiley   +1 more source

Discussion of ‘Style’ from Max Loehr and the Study of Chinese Bronzes, Style and Classification in the History of Art, Ithaca, Cornell University Press: Cornell East Asia Series 2008 [PDF]

Journal of Art Historiography, 2010
This essay is the concluding chapter of a study of the work of Max Loehr (1903-1988), an art historian whose visual analysis of unprovenanced Chinese bronzes famously anticipated the discoveries of archaeologists.
Robert Bagley
doaj  

Around the Process of Baroque Characterization of Toledan Altarpiece in Xviith Century

Anales de Historia del Arte, 2013
With this work is to put the time in which the toledan altarpiece of mediated of the XVIIth century adopts the typological features and formal of the baroque altarpiece of Madrid, a change than customs the architect Juan Gómez Lobo constituting a well ...
Antonio José Díaz Fernández
doaj   +1 more source

Aurora: A Painting of the Coming Dawn

, 2017
While collectors and scientists sought out the rarest and best preserved naturalia for their collections, others sought out and commissioned paintings and other forms of artifice to go beside them.
Leibson, Noa
core  

Faculty Recital Series: An Evening of Recorder Concertos, January 30, 2012 [PDF]

, 2012
This is the concert program of the Faculty Recital Series: An Evening of Recorder Concertos performance on Monday, January 30, 2012 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Botanical Analysis of the Baroque Art on the Eastern Adriatic Coast, South Croatia. [PDF]

Plants (Basel), 2023
Jasprica N, Lupis VB, Dolina K.
europepmc   +1 more source

Indeterminacy and Architectural History: Deterritorializing Cosimo Fanzago [PDF]

, 2007
This article is a critique of architectural history’s tendency to overdetermine in thinking about practice and theory in general, and in thinking the relationship between architecture and spirituality in post-Tridentine ecclesiastical architecture in ...
Hills, Helen
core  

“Baroque” in Early Musicology and Art History: Egon Welleszʼs Concept of an Austrian Tradition [PDF]

Musicologica Austriaca
In 1909 Egon Wellesz published the article “Renaissance und Barock” in which he applied the term “Baroque,” which originated in art history, to music.
Meike Wilfing-Albrecht
doaj