Results 41 to 50 of about 1,049 (177)
Towards a digital geography of Hispanic Baroque art [PDF]
Literary and Linguistic Computing, 2013 In this article we propose an approach to the study of art history based on geog-raphy of Hispanic Baroque art by digital means that showcase the multiplicity of possible places of art. Our study advances four elements of a digital geography of art (communities, semantic maps, areas, and flows)—a methodology that can be expanded in future Digital ...
Juan-Luis Suárez +5 more
openaire +3 more sources
IN PURSUIT OF THE HOFFMANNESQUE
German Life and Letters, Volume 79, Issue 3, Page 298-310, July 2026.ABSTRACT This article seeks to elucidate the term ‘Hoffmannesque’ — the eponymous adjective that refers to E. T. A. Hoffmann — through recourse to Hoffmann's own use of ‘esque’ words: arabesque, grotesque, burlesque, picturesque. By investigating the characteristics of ‘esque’ formulations and tracing their recurrence through Hoffmann's texts, I argue ...
Polly Dickson
wiley +1 more source
German Life and Letters, Volume 79, Issue 3, Page 419-436, July 2026.ABSTRACT This article considers how trans lives are mediated across literary, painterly and filmic registers in Paul B. Preciado's Orlando, My Political Biography (2023). My analysis draws on Andrew Webber's development of reading practices applied to intertextual works that also exhibit interpictorial and interfilmic dynamics in his reading of a scene
Lawrence Alexander
wiley +1 more source
Historia.scribere, 2017 Future pessimism in the Early Modern era? Reflections on Early Modern future imaginations exemplified by the baroque Vanitas motif. The following bachelor thesis is about the future imaginations of the Early Modern time. The paper follows the question,
Lisa-Marie Gabriel
doaj +1 more source
Black in Impressionism and Post‐Impressionism: Art, Color Vision, and Psychophysics
Color Research &Application, Volume 51, Issue 3, May/June 2026.Black has engendered controversy in 19th Century color theory and in Impressionist and Post‐Impresssionist painting. The neural mechanisms of blackness perception are being revealed through contemporary psychophysics. ABSTRACT From Paleolithic cave art to modern abstraction, artists have used black not merely as a neutral tone, but as a powerful ...
John S. Werner
wiley +1 more source
Deconstructing Theory, Engaging Practice
Australian and New Zealand Journal of Family Therapy, Volume 47, Issue 1, March 2026.ABSTRACT This article revisits longstanding differences between modern and postmodern theory within systemic and family therapy and discusses its implications for practice. Drawing on Derrida's understanding of deconstruction as an ethical relation, it proposes a hospitable stance that holds theory lightly and irreverently, opening practice to multiple
Glenn Larner
wiley +1 more source
Almodóvar’s Baroque Transitions in the Early Films (1980–1995)
HumanitiesSpanish film director Pedro Almodóvar has been detected early on by film critics as a Baroque filmmaker, a qualification to which he has agreed in interviews.
Frederic Conrod
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International exhibitions as an instrument of domestic cultural policy: how Baroque art came to be honoured in socialist Czechoslovakia [PDF]
Journal of Art Historiography, 2016 At the end of the 1960s the artistic tradition of the Baroque period in Bohemia had gained new acceptance and the established schema for interpreting its history had been revised. This essay asks how it came to this turn. It therefore pursues, on the one
Michaela Marek
doaj
Thermo‐Oxidative Stability of Materials: Assessment and Predictions
Chemistry–Methods, Volume 6, Issue 3, March 2026.The article summarizes long‐term stability predictions based on non‐Arrhenian extrapolation of fast high‐temperature thermoanalytical measurements. The theory is applicable for the lifetime estimation of objects made of plastics and other organic materials which can be employed in the conservation of plastic artifacts.
Peter Šimon +2 more
wiley +1 more source