Results 31 to 40 of about 1,049 (177)
Semiotika (Vilniaus universitetas), 2022 The title of this article refers to Gilles Deleuze’s work titled The Fold: Leibnitz and the Baroque and supposes a link, which could be established between the Baroque as a type of art, imagery, and a philosophical concept, as it was described by ...
Inga Vidugirytė
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De Stupro: First Insights on Rape and Its Prosecution in Maltese Courts (1701–10)
Journal for Eighteenth-Century Studies, Volume 49, Issue 3, Page 265-286, September 2026.Abstract This article constitutes a first in‐depth investigation of rape and the prosecution of this crime in early eighteenth‐century Malta. The research, which is based on sixteen rape accusations claimed at the secular courts in Malta between 1701 and 1710, has analysed cases categorized as ‘simple rape’, ‘violent rape’ and rape committed under the ...
Vanessa Buhagiar
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RIHA Journal, 2019 The special issue “Precarious Past? Research on Baroque Art and Architecture in East Central Europe under Socialism”, edited by Michaela Marek (†) and Eva Pluhařová-Grigienė, originates from a conference held at Humboldt University of Berlin in 2014.
Eva Pluhařová-Grigienė
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Acta Universitatis Carolinae Philologica, 2020 One of the major traits of Baroque art in Bohemia and Moravia is its receptive character. In the cycles thematically taken from Ovid's Metamorphoses artists often accurately followed widespread and popular illustrations.
Radka Nokkala Miltová
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, Volume 40, Issue 4, Page 570-588, September 2026.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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THE LABOR MARKET IN THE ART SECTOR OF BAROQUE ROME [PDF]
Economic Inquiry, 2014 AbstractWe analyze the labor market for painters in Baroque Rome using unique data on primary sales of portraits, still lifes, genre paintings, landscapes, and figurative paintings. In line with the traditional artistic hierarchy of genres, average price differentials between them were high. The matched painter‐patron nature of the dataset allows us to
ETRO, FEDERICO +2 more
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Renaissance Studies, Volume 40, Issue 4, Page 764-780, September 2026.Abstract This article examines how late bardic poetry transforms the condition of exile into a literary mode that reimagines community and tradition. I argue that poetry of lament, blessing and devotion articulates a broader literary consciousness that anticipates modern notions of a national consciousness. The compilation of bardic verse in manuscript
Daniel T. McClurkin
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‘From “bad” to “good”: Baroque architecture through a century of art historiography and politics’: Evonne Levy, Baroque and the Political Language of Formalism (1845-1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr, 400 pp., 42 ills, Basel: Schwabe, 2015 [PDF]
Journal of Art Historiography, 2016 The political element in art history has often played a crucial role and has been individuated as such for artists or their clients. But the political elements that shaped art historical theories or pattern of interpretations are not always clearly ...
Marco M. Mascolo
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On the Portuguese-Brazilian Practices of Representation of the Seventeenth Century (1580-1750)
ABEI Journal, 2001 Nowadays, the Portuguese-Brazilian representations of the seventeenth and eighteenth centuries are stylistically classified as "baroque". The classification is anachronic, for it generalizes, in a transhistoric fashion, the neokantian, positivist ...
João Adolfo Hansen
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The Polychrome in Expression of Baroque Façade Architecture
Arts, 2022 The article is dedicated to the role of polychrome solutions of the architectonic order in shaping the mode of expression of Baroque façades. The ancient principles of designing architectural structures, inherited from the Renaissance, were subjected to ...
Bogna Ludwig
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