Results 61 to 70 of about 1,049 (177)
Ukrainian and European Baroque in the Context of “Sister Arts” Idea
The article deals with the “Sister Arts” tradition as the interrelationship of various art forms (poetry, fiction, painting, theatre, music etc.) relative to the Baroque period. “Sister Arts” criticism, based on E.G.
Olga Shikirinskaya
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Reseña de: Pasolini, Alessandra y Pilo, Rafaella (eds.), Cagliari and Valencia during the Baroque Age. Essays on Art, History and Literature, Valencia, Albatros, 2016, 239 pp., ISBN: 9788472743311.
Fernando Ciaramitaro
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Baroque in the Federal Republic of Germany: The variety of narratives as reflected in exhibition projects [PDF]
Do individual countries and states develop an ‘image of the Baroque’ that is specific, typical of its era, clearly defined and visibly distinct from that of other nations?
Meinrad v. Engelberg
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BAROQUE IN ITALY - BAROQUE IN BOHEMIA. A MEETING OF PERSONALITIES, IDEAS AND ART FORMS [PDF]
Marie Škarpová
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Reception of the Baroque in US university textbooks in art history [PDF]
Using American textbooks as examples, and drawing from 51 years of teaching American undergraduates, as well as from consultation for textbook publishers, this essay offers reasons why the American approach to art history of the baroque era has excluded ...
Carol Herselle Krinsky
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The Irkutsk Temples. Cultural Phenomenon of "Siberian Baroque"
The article reveals an architectural phenomenon of “Siberian Baroque” on the example of the Irkutsk temples built in the 18th century. It shows peculiarities of this variation and its occurrence in the composition and decoration of temples.
Alla Korzun
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Scientific Baroque – for everyone. Constructing and conveying an art epoch during the Stalinist period in the Soviet Union and in Soviet Estonia [PDF]
This article identifies a number of concepts that have been used in popular discourse on Baroque art, architecture and visual culture on both sides of the Iron Curtain.
Krista Kodres
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Art history has traditionally postulated a clear break between, on the one hand, late Mannerism, still dependent on Renaissance and humanistic culture, and, on the other hand, the artistic revolution that inaugurated the Baroque.
Itay Sapir
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The role of saintly personalities in popular discourses from around 1970 on Baroque artistic cultures [PDF]
This article identifies a number of concepts that have been used in popular discourse on Baroque art, architecture and visual culture on both sides of the Iron Curtain.
Ivan Gerát
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