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Affective Embodiment and the Transmission of Affect in Ex Machina
The focus of posthuman thought centers on a shift in the humanistic paradigm; focusing on a state of existence that lies beyond being “human”, including bioengineering, artificial intelligence, and synthetic embodiment. Inspired by continuous
Chia Wei Fahn
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Languaging the Borders of Europe
Emerging from a discomfort with the blind spots encountered within and across theorizations of language and space in the field of human geography, in this article, we argue for “making space” for conceptualizations that speak from and through the ...
Olivier Kramsch, Kolar Aparna, Huda Degu
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Gothic and Baroque Imagination, Hegelian Speculative and Spinozist Plane of Immanence in Herman Melville’s Literary Creativity / Herman Melville’in Edebi Yaratıcılığında Gotik ve Barok İmgelem, Hegelci Spekülatif ve Spinozacı İçkinlik Düzlemi [PDF]
In this article, I try to relate Herman Melville’s literary creativity to Gothic and baroque art forms to understand the aesthetic vision revealed in his novels more in a more comprehensive manner.
Ömer Küçük
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Spotify as a case of musical Bildung
This article explores the meaning and function of streaming media as a potential facilitator of musical Bildung. Taking the affordances of streaming media technologies as a starting point, the article thus focuses on the formative and cultivating ...
Cecilia Ferm Almqvist
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Monsters Escaping the Screen: Embodied Narratives of LARPS and Zombie Walks
This article engages with communities that invite monstrous characters to come to life and invade three-dimensional spaces through real-life bodies. Through focus group interviews with participants in live action role-play (LARP) and zombie walks in ...
Kristina Stenström
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Became, Become, Becoming [PDF]
Linguist David Adger reviews the recent film Arrival, exploring some of the concepts, such as Fermat’s principle of least time and the Sapir-Whorf hypothesis, that underlie both the film and the short story by Ted Chiang on which it is based.
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The Liberatory Music Therapy Model of Gender Affirming Voicework (LMT-GAV) is a developing model that aims to address voice and gender-based needs for people of all gender identities within music therapy (Gumble et al., 2025).
Maevon Gumble
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Music educational researchers in the Nordic countries have pointed out how municipal arts schools are organised based on, and tend to reproduce, anthropocentric values and approaches, and that such unequal norms and structures are to be challenged ...
Cecilia Ferm Almqvist, Linn Hentschel
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Liberatory Music Therapy Model of Gender Affirming Voicework
Since initial explorations of gender affirming voicework within the field of music therapy were first offered (Gumble, 2019a, 2019b, 2020), the authors have collaborated to further develop this work. From this collaboration, a specific set of ideas were
Maevon Gumble +2 more
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Jonathan Edwards' brilliant conception that combines disposition and being, and God's absolute being with dynamicity, has challenged the most commonly accepted classical greek dualism between being and becoming, and absolute and dynamicity.
Jimmy Pardede
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