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A Memetic Analysis of a Phrase by Beethoven: Calvinian Perspectives on Similarity and Lexicon-Abstraction [PDF]

open access: yes, 2015
This article discusses some general issues arising from the study of similarity in music, both human-conducted and computer-aided, and then progresses to a consideration of similarity relationships between patterns in a phrase by Beethoven, from the ...
Blackmore S. J.   +32 more
core   +3 more sources

Notes from Beethoven's genome. [PDF]

open access: yesCurr Biol
Wesseldijk LW   +8 more
europepmc   +2 more sources

Espacialización revisitada: caracterización y contradicciones del tipo extensivo en Theodor W. Adorno

open access: yesEstudios de Filosofía, 2023
La publicación de los escritos póstumos de Theodor W. Adorno provocó un giro notable en su filosofía de la música: al revelarse el ambicioso proyecto sobre Beethoven, surgió una teoría del tiempo musical de carácter casi axiomático, y que parece
João Paulo Andrade
doaj   +1 more source

new derivation shows Schubert learning thematic work from a Beethoven sonata

open access: yesRevista Vortex, 2022
A newly discovered derivation of Schubert from Beethoven is presented: the piano sonata in B major D.575 IV from the piano sonata in A-flat major Op.26 II. A method for finding thematic derivations is first outlined. The present derivation shows Schubert
Nigel Nettheim
doaj   +1 more source

Beethoven’s death—the result of medical malpractice?

open access: yesWiener Medizinische Wochenschrift, 2021
Two different strands of hair taken from Beethoven’s head after his death were examined for heavy metals using scanning electron microscopy (SEM) and laser ablation-ICP-MS (inductively coupled plasma–mass spectroscopy).
C. Reiter, T. Prohaska
semanticscholar   +1 more source

Ludwig van Beethoven—a psychiatric perspective

open access: yesWiener Medizinische Wochenschrift, 2021
Biographical accounts of famous artists usually try to relate the life story to the works (and vice versa). This gives the work a special “colour”, often the context for understanding for today’s recipients.
A. Erfurth
semanticscholar   +1 more source

Beethovens Selbstkritik. Zum Kompositionsprozeß des Klavierkonzerts B-Dur op. 19 [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2006
Erste Skizzen zu Beethovens B-Dur Klavierkonzert op. 19 reichen zurück bis in das Jahr 1786 (Beethoven ist gerade 16 Jahre alt). Bis 1798 – also 12 Jahre lang – arbeitet Beethoven immer wieder an dem Werk, bringt neue Ideen ein, verbessert und verändert ...
Rudolf Kotz
doaj   +1 more source

Beethovens Violinkonzert als Modellfall. René Leibowitz’ und Rudolf Kolischs Projekt einer ›werkgerechten Interpretation‹ [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2017
René Leibowitz’ Auftreten gegen die (aus seiner Sicht) ›entstellende‹ Interpretations- und Orchesterpraxis seiner Zeit und sein Bemühen, Beethovens Werken zu zeitgenössischen Interpretationen eigenen ästhetischen Rechts zu verhelfen, bilden eine ...
Thomas Glaser
doaj   +1 more source

El coral de la Novena sinfonía de Beethoven y su relación con el lied Gegenliebe y la Fantasía para piano, coro y orquesta del mismo compositor

open access: yesTesis (Lima), 2023
La presente investigación trata sobre el coral del cuarto movimiento de la Novena sinfonía de Beethoven, para lo cual se busca la fuente de dónde nace y toma forma la idea musical, con referencias relacionadas en primer lugar con el segundo lied ...
Karla Yvonne Kansumanht Schiaffino   +1 more
doaj   +1 more source

ODE TO JOY: BEETHOVEN’S NINTH SYMPHONY IN CINEMATOGRAPHIC INTERPRETATIONS / «К РАДОСТИ»: ДЕВЯТАЯ СИМФОНИЯ Л. БЕТХОВЕНА В КИНЕМАТОГРАФИЧЕСКИХ ИНТЕРПРЕТАЦИЯХ

open access: yesНаука телевидения, 2023
The article examines the cinematic interpretations of Ludwig Beethoven’s Ninth Symphony, specifically focusing on the theme written by the composer to Friedrich Schiller’s text, An die Freude (Ode to Joy).
KONONENKO NATALIA G. / КОНОНЕНКО Н.Г.
doaj   +1 more source

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