Results 31 to 40 of about 688 (132)
Music in the Thought of Deconstruction / Deconstruction in the Thought of Music (For Joseph Dubiel)
Muzikološki Zbornik, 2005 This article critically speculates on points of affinity and difference between, on the one hand, musicological writings and the musical practices they attempt to represent and, on the other, the operation of deconstruction (defined in terms of the ...
Martin Scherzinger
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Gendered Harmony and Unsung Collections: Two Debussy Rabbit Holes
Music Analysis, EarlyView.ABSTRACT This review article on Mark McFarland's The Musical Relationship between Claude Debussy and Igor Stravinsky (2024) offers a critical reading of this recent text and treats its content as a springboard for the exploration of two issues untapped in existing musicological discourse.
Rajan Lal
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Four Semiotic Approaches to Musical Meaning: Markedness, Topics, Tropes, and Gesture
Muzikološki Zbornik, 2005 After a brief survey of music semiotic developments in the United States, I present four interrelated approaches based on my own work. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation (1994) presents a new approach to ...
Robert S. Hatten
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Chopin's Craft of Musical Form: Making Romantic Music with Classical Theme Types and Galant Schemata
Music Analysis, EarlyView.ABSTRACT Frédéric Chopin adhered to traditional practices in musical form to a far greater extent than hitherto acknowledged. He took certain standard formal paths with remarkable consistency throughout his compositional career and across almost all his favoured genres.
Matthew Riley
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Las sonatas woo 47 de Beethoven. Su importancia en el conjunto de las sonatas para piano
Ricercare, 2016 El objeto de estudio de la presente investigación, en este caso, las sonatas tempranas para piano de Ludwig van Beethoven, como piezas esenciales en el repertorio pianístico de la historia de la música académica.
Cristian Job Del Real Barreto
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Symphonic Gift: Wagner's Siegfried Idyll and the Hermeneutics of Sonata Form
Music Analysis, EarlyView.ABSTRACT This article reimagines the place of programmatic interpretation within the New Formenlehre through the case study of Richard Wagner's Siegfried Idyll. To theorise the interaction between form and programme, I reconcile ‘separation’ and ‘conflation’ views – as represented by Julian Horton (2020) and Lawrence Kramer (2004a) – by deploying ...
RAFAEL ECHEVARRIA
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Now, Again and Again: The Metaphysics of Many Presents
Pacific Philosophical Quarterly, EarlyView.ABSTRACT This paper discusses whether there can be multiple present moments. After presenting some reasons for thinking that the question is worthwhile, I challenge several objections to its possibility: worries about the exclusivity of tense; the nature of change, tense logic and semantics; and the apparent tension between multiple presents and an ...
Nikk Effingham
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Review of Education, Volume 14, Issue 2, August 2026.Abstract Assessment is a contested term in school conceptualisation and practices. Assessment in music education has a variety of meanings, and complexities can arise from music teacher and school leader understandings of the term. Using an activity theory conceptual framework and Q methodology, this longitudinal research project sought to develop ...
Anthony Anderson +4 more
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The Musical Times and Singing Class Circular, 1871 n ...
Lunn, Henry C. +2 more
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Johan Svendsen and Two‐Dimensional Sonata Form
Music Analysis, Volume 45, Issue 2, Page 177-212, July 2026.ABSTRACT This article discusses progressive formal strategies in the music of Johan Svendsen (1840–1911). Svendsen is one of Norway's foremost composers of large‐scale orchestral music, but his works have so far garnered scant attention in Anglophone scholarship.
BJØRNAR UTNE‐REITAN
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