Results 31 to 40 of about 122,958 (229)
Shaw Conducts Beethoven, November 19, 1994 [PDF]
, 1994 This is the concert program of the Shaw Conducts Beethoven performance on Saturday, November 19, 1994 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Mass in C Major, op.
School of Music, Boston University
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Johan Svendsen and Two‐Dimensional Sonata Form
Music Analysis, EarlyView.ABSTRACT This article discusses progressive formal strategies in the music of Johan Svendsen (1840–1911). Svendsen is one of Norway's foremost composers of large‐scale orchestral music, but his works have so far garnered scant attention in Anglophone scholarship.
BJØRNAR UTNE‐REITAN
wiley +1 more source
Bud burst and flowering phenology in a mixed oak forest from Eastern Romania
Annals of Forest Research, 2009 Bud burst and flowering phenology have been observed in year 2008 in a natural white oak species complex situated in eastern Romania. A total of 300 mature individuals was mapped and identified based on leaf morphology. The community consists of four oak
Ecaterina Nicoleta Chesnoiu +5 more
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Boston University String Chamber Music Concert, December 10, 1987 [PDF]
, 1987 This is the concert program of the Boston University String Chamber Music Concert on Thursday, December 10, 1987 at 7:00 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were Serenade, Op. 12 by Zoltán Kodály, Septet, Op. 20 by Ludwig
School of Music, Boston University
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A Memetic Analysis of a Phrase by Beethoven: Calvinian Perspectives on Similarity and Lexicon-Abstraction [PDF]
, 2015 This article discusses some general issues arising from the study of similarity in music, both human-conducted and computer-aided, and then progresses to a consideration of similarity relationships between patterns in a phrase by Beethoven, from the ...
Blackmore S. J. +32 more
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Pacific Philosophical Quarterly, EarlyView.ABSTRACT I develop an axiomatic system of mereology that accounts for the ways in which musical works can be said to have parts. I distinguish two fundamental modes of composition that musical works exhibit: successive composition, whereby sound events are concatenated in time, and simultaneous composition, whereby sound events occur at the same time ...
Alejandro G. Di Rienzo
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Music in the Thought of Deconstruction / Deconstruction in the Thought of Music (For Joseph Dubiel)
Muzikološki Zbornik, 2005 This article critically speculates on points of affinity and difference between, on the one hand, musicological writings and the musical practices they attempt to represent and, on the other, the operation of deconstruction (defined in terms of the ...
Martin Scherzinger
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Chamber Music Concert, December 14, 1983 [PDF]
, 1983 This is the concert program of the Chamber Music Concert performance on Wednesday, December 14, 1983 at 6:00 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were Serenade for Violin, Viola, and Cello Op.
School of Music, Boston University
core
BJOG: An International Journal of Obstetrics &Gynaecology, Volume 133, Issue 7, Page 1358-1372, June 2026.ABSTRACT Background Immersive virtual reality (VR) technology offers a non‐invasive, non‐pharmacological approach to reduce pain perception in patients undergoing diagnostic or interventional procedures. Objective To systematically evaluate the efficacy of immersive VR technology in reducing pain perception during obstetric and gynaecological ...
Jhia Jiat Teh +5 more
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Four Semiotic Approaches to Musical Meaning: Markedness, Topics, Tropes, and Gesture
Muzikološki Zbornik, 2005 After a brief survey of music semiotic developments in the United States, I present four interrelated approaches based on my own work. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation (1994) presents a new approach to ...
Robert S. Hatten
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