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«VIRTUOSI SENZA CUJONI!» TRA ITALIANO, LATINO E TEDESCO NELLE LETTERE DI LUDWIG VAN BEETHOVEN

open access: yesItaliano LinguaDue, 2022
L’articolo si occupa di analizzare alcune espressioni in italiano (non solo di carattere musicale) che compaiono dell’epistolario di Ludwig van Beethoven.
Debora de Fazio
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Adeus, Pirandello e a Grosse Fuge - Aproximações entre o romance de Marco Lucchesi e a op. 133 de Ludwig van Beethoven

open access: yesRevista da Tulha, 2021
O escritor Marco Lucchesi, em seu romance Adeus, Pirandello, realiza, ao longo de sua intrincada e multifária narrativa, com fortes matizes autobiográficos, uma série de menções pungentes e simbólicas ao compositor Ludwig van Beethoven e sua obra – em ...
Alexandre Marzullo
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Chrystus na Górze Oliwnej op.85 Ludwiga van Beethovena. Próba introspekcji (część II)

open access: yesSeminare, 2022
Ludwig van Beethoven, znany w kręgach muzycznych głównie z dorobku instrumentalnego, żywo interesował się twórczością wokalno-instrumentalną. Studiując dokonania swoich poprzedników, mistrzów baroku i klasycyzmu, starał się zrozumieć relację między ...
Marek Dudek
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Performative gestures in Beethoven’s piano sonatas [PDF]

open access: yesMuzikologija, 2023
The purpose of this study is to contribute to the discussion of how the character of physical body movements conveys expression and affects the creation of a musical work.
Dinov Marija
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INTERPRETATIVE TRENDS OF BEETHOVEN’S ORNAMENTATION [PDF]

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2023
Outstanding representative of the classical music composed in the transition period from XVIIIth to XIXth centuries, Ludwig van Beethoven remains memorable in the history of music through the strength, audacity, and remarkable rhetoric of his musical ...
Mihaela ITIGAN, Stela DRĂGULIN
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Rezension: Beethoven. Akkord der Welt von Matthias Henke

open access: yesMedienimpulse, 2020
In der neuen Biografie Beethoven. Akkord der Welt zeichnet Matthias Henke ein Bild des berühmten Komponisten, das ohne Idealisierungen auskommt und Ludwig van Beethovens musikalisches Vermächtnis aufarbeitet.
Raffaela Rogy
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10. Famous Pianists Perform Beethoven 32 Variations on an Original Theme in C Minor According to the Pianists Daniel Barenboim and Evgeny Kissin

open access: yesReview of Artistic Education, 2021
Year 2020 constitutes an incredibly significant landmark in the classical music history as it is the year celebrating 250 years since the composer Ludwig van Beethoven was born. The “32 Variations on an Original Theme in C minor” are deemed to be some of
Tudor Brîndușa
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THE NAME OF LUDWIG VAN BEETHOVEN AS THE PRECEDENT LEXICAL ITEM IN ANTHONY BURGESS’S NOVEL “A CLOCKWORK ORANGE”

open access: yesВестник Кемеровского государственного университета, 2017
The article analyzes features of the proper name of Ludwig van Beethoven as well as represents its intentional use in the process of verbalization of the phenomenon “Music” (based on the novel “A Clockwork” by Orange A. Burgess).
L. V. Korobko
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“O espírito de Mozart pelas mãos de Haydn”: 250 anos de Ludwig van Beethoven [PDF]

open access: yesEstudos Avançados, 2020
resumo Ao celebrar os 250 anos do nascimento de Ludwig van Beethoven (1770-1827), constata-se que sua obra preserva, intacto, o poder de fascinar seus ouvintes.
Eduardo Monteiro, Mônica Lucas
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›Der leere Platz‹. Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2012
In der zu Beginn des Streichquartetts B-Dur op. 130 von Ludwig van Beethoven exponierten melodischen Wendung b-a-as-g deuten sich zentrale Momente des weiteren Verlaufs der Komposition auf eine eigentümliche Weise an.
Benjamin Sprick
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