Results 11 to 20 of about 405 (170)

Pioneers in Dermatology and Venereology: An interview with Professor Michael Landthaler. [PDF]

open access: yesJ Eur Acad Dermatol Venereol
Journal of the European Academy of Dermatology and Venereology, Volume 39, Issue 7, Page 1224-1227, July 2025.
Landthaler M.
europepmc   +2 more sources

Pioneers in Dermatology and Venereology: An interview with Professor Sabine Werner. [PDF]

open access: yesJ Eur Acad Dermatol Venereol
Journal of the European Academy of Dermatology and Venereology, Volume 39, Issue 1, Page 35-38, January 2025.
Werner S.
europepmc   +2 more sources

Sonification of Genomic Data to Represent Genetic Load in Zoo Populations. [PDF]

open access: yesZoo Biol
We developed a sonification algorithm that uses sound to communicate to zoo visitors the level of inbreeding of potential pink pigeon offspring. Listeners to the output of our algorithm were successful in completing a task identifying ‘good’ and ‘bad’ offspring from sound outputs alone.
Martin EJ   +4 more
europepmc   +2 more sources

Audio-visual concert performances synchronize audience's heart rates. [PDF]

open access: yesAnn N Y Acad Sci
People enjoy engaging with music. In the current study, we assessed engagement in a live concert setting using synchrony of cardiorespiratory measures. As engagement might be enhanced in a concert setting by seeing musicians perform, we presented audiences with audio‐only and audio‐visual piano performances.
Czepiel AM   +5 more
europepmc   +2 more sources

Emotional valence perception in music and subjective arousal: Experimental validation of stimuli

open access: yesInternational Journal of Psychology, Volume 58, Issue 5, Page 465-475, October 2023., 2023
Musical stimuli are widely used in emotion research and intervention studies. However, reviews have repeatedly noted that a lack of pre‐evaluated musical stimuli is stalling progress in our understanding of specific effects of varying music. Musical stimuli vary along a plethora of dimensions.
Lena M. Hofbauer, Francisca S. Rodriguez
wiley   +1 more source

Revisiting the Galant in Gjerdingenian Schemata

open access: yesMusic Analysis, Volume 42, Issue 3, Page 287-330, October 2023., 2023
ABSTRACT Robert Gjerdingen's schema theory focuses the long‐debated ‘galant’ style concretely onto an inventory of stock musical phrases, or ‘galant schemata’. The rich historico‐cognitive discourse sparked by this growing ‘schematicon’ has provided significant theoretical evidence for their historical situatedness, coherence and objectivity; however ...
Hainian Yu
wiley   +1 more source

THE NAME OF LUDWIG VAN BEETHOVEN AS THE PRECEDENT LEXICAL ITEM IN ANTHONY BURGESS’S NOVEL “A CLOCKWORK ORANGE”

open access: yesВестник Кемеровского государственного университета, 2017
The article analyzes features of the proper name of Ludwig van Beethoven as well as represents its intentional use in the process of verbalization of the phenomenon “Music” (based on the novel “A Clockwork” by Orange A. Burgess).
L. V. Korobko
doaj   +1 more source

“O espírito de Mozart pelas mãos de Haydn”: 250 anos de Ludwig van Beethoven [PDF]

open access: yesEstudos Avançados, 2020
resumo Ao celebrar os 250 anos do nascimento de Ludwig van Beethoven (1770-1827), constata-se que sua obra preserva, intacto, o poder de fascinar seus ouvintes.
Eduardo Monteiro, Mônica Lucas
doaj   +1 more source

Composing in the scanner: A functional magnetic resonance imaging single case study on visual and auditory imagery

open access: yesPsyCh Journal, Volume 11, Issue 5, Page 684-690, October 2022., 2022
Abstract “Seeing with the mind's eye” and “hearing with the mind's ear” are two common indicators of musical imagery, and they can be referred to as “visual” and “auditory” musical imagery. However, a question remains open, that is, whether visual and auditory imagery of the same musical composition share the same neural mechanisms.
Morteza Izadifar   +4 more
wiley   +1 more source

›Der leere Platz‹. Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2012
In der zu Beginn des Streichquartetts B-Dur op. 130 von Ludwig van Beethoven exponierten melodischen Wendung b-a-as-g deuten sich zentrale Momente des weiteren Verlaufs der Komposition auf eine eigentümliche Weise an.
Benjamin Sprick
doaj   +1 more source

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