Results 11 to 20 of about 5,614,720 (165)
Reconstructing Beethoven: Mauricio Kagel’s Ludwig van [PDF]
The subject of this dissertation is Ludwig van, Mauricio Kagel’s tribute to Beethoven on the occasion of the 200th anniversary of the latter’s birth, which consists of three separate, but closely related, versions: a film, a musical score and a recording.
Stavlas, Nikolaos
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INTERPRETATIVE TRENDS OF BEETHOVEN’S ORNAMENTATION [PDF]
Outstanding representative of the classical music composed in the transition period from XVIIIth to XIXth centuries, Ludwig van Beethoven remains memorable in the history of music through the strength, audacity, and remarkable rhetoric of his musical ...
Mihaela ITIGAN, Stela DRĂGULIN
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Rezension: Beethoven. Akkord der Welt von Matthias Henke
In der neuen Biografie Beethoven. Akkord der Welt zeichnet Matthias Henke ein Bild des berühmten Komponisten, das ohne Idealisierungen auskommt und Ludwig van Beethovens musikalisches Vermächtnis aufarbeitet.
Raffaela Rogy
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Year 2020 constitutes an incredibly significant landmark in the classical music history as it is the year celebrating 250 years since the composer Ludwig van Beethoven was born. The “32 Variations on an Original Theme in C minor” are deemed to be some of
Tudor Brîndușa
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The article analyzes features of the proper name of Ludwig van Beethoven as well as represents its intentional use in the process of verbalization of the phenomenon “Music” (based on the novel “A Clockwork” by Orange A. Burgess).
L. V. Korobko
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“O espírito de Mozart pelas mãos de Haydn”: 250 anos de Ludwig van Beethoven [PDF]
resumo Ao celebrar os 250 anos do nascimento de Ludwig van Beethoven (1770-1827), constata-se que sua obra preserva, intacto, o poder de fascinar seus ouvintes.
Eduardo Monteiro, Mônica Lucas
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Emotional valence perception in music and subjective arousal: Experimental validation of stimuli
Musical stimuli are widely used in emotion research and intervention studies. However, reviews have repeatedly noted that a lack of pre‐evaluated musical stimuli is stalling progress in our understanding of specific effects of varying music. Musical stimuli vary along a plethora of dimensions.
Lena M. Hofbauer, Francisca S. Rodriguez
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Revisiting the Galant in Gjerdingenian Schemata
ABSTRACT Robert Gjerdingen's schema theory focuses the long‐debated ‘galant’ style concretely onto an inventory of stock musical phrases, or ‘galant schemata’. The rich historico‐cognitive discourse sparked by this growing ‘schematicon’ has provided significant theoretical evidence for their historical situatedness, coherence and objectivity; however ...
Hainian Yu
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›Der leere Platz‹. Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 [PDF]
In der zu Beginn des Streichquartetts B-Dur op. 130 von Ludwig van Beethoven exponierten melodischen Wendung b-a-as-g deuten sich zentrale Momente des weiteren Verlaufs der Komposition auf eine eigentümliche Weise an.
Benjamin Sprick
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Hölderlin kot spomenik umetnosti 19. in 20. stoletja
Naj Hölderlinovemu pesništvu pripisujemo še tako tehtne glasbene kvalitete, kljub temu ni bil preferenčen pesnik romantičnega samospeva. Že njegovi sodobni skladatelji, kot npr. Ludwig van Beethoven, ga niso upoštevali. Izjemo predstavlja Robert Schumann,
Helmut Loos
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