Results 31 to 40 of about 205 (125)
Now, Again and Again: The Metaphysics of Many Presents
Pacific Philosophical Quarterly, EarlyView.ABSTRACT This paper discusses whether there can be multiple present moments. After presenting some reasons for thinking that the question is worthwhile, I challenge several objections to its possibility: worries about the exclusivity of tense; the nature of change, tense logic and semantics; and the apparent tension between multiple presents and an ...
Nikk Effingham
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Anuario Musical, 2004 [de] Zu Musikinventaren und Verlags- bzw. Auktionskatalogen treten im 19. Jahrhundert, beginnend mit dem Chronologischthematischen Verzeichniss sämmtlicher Tonwerke Wolfgang Amade Mozart's durch Ludwig Ritter von Köchel, philologisch erarbeitete ...
Thomas Hochradner
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Annals of the New York Academy of Sciences, Volume 1556, Issue 1, February 2026.ABSTRACT A wealth of research has investigated rhythm processing in music and speech, revealing shared cognitive and neural correlates and potential transfer effects, as evidenced by shared benefits and shared processing difficulties, as well as effects of stimulation and training programs.
Barbara Tillmann +2 more
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The listener of the chthonic god sand the barroom player: Adorno’s experience of Schubert [PDF]
Filozofija i Društvo, 2011 In this article the author is reconstructing the complex picture of Franz Schubert created by Theodor Adorno in his numerous references to the Viennese composer, but mostly in his 1928 article “Schubert”.
Jeremić-Molnar Dragana
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Cognitive Theories of Galant Music at the Margins of Experience
Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
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Honour and humiliation: Emotional economies of war and defeat
Nations and Nationalism, Volume 31, Issue 4, Page 809-820, October 2025.Abstract The article looks at nationalism, war and defeat from a history of emotions perspective. It frames nationalism as a political programme and mindset that enlists emotions of belonging and solidarity, but also fear, anger, hatred and contempt.
Ute Frevert
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Ludwig van Beethoven—a psychiatric perspective [PDF]
Wiener Medizinische Wochenschrift, 2021 SummaryBiographical accounts of famous artists usually try to relate the life story to the works (and vice versa). This gives the work a special “colour”, often the context for understanding for today’s recipients. This interrelation is complex and often judgmental, sometimes manipulative.
openaire +2 more sources
, 2001 * 16.12. (?, get. 17.12.) 1770 Bonn/D, † 26.3.1827 Wien. Komponist.
Joseph Kerman +4 more
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Some fascinating developments in mathematics and music
Proceedings (European Academy of Sciences and Arts), 2022 The strength of the bonds between music and mathematics goes without saying. This popular belief hides a subtler misconception, that this relationship involves old-school mathematics: arithmetics in the Greek School (Pythagoras), diophantine ...
Emmanuel Amiot
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A Sweeter Music: Two Essays and a Colloquy on an Elgar Part‐Song
Music Analysis, Volume 44, Issue 2, Page 246-289, July 2025.ABSTRACT Edward Elgar's 1907 part‐song ‘There Is Sweet Music’ (Op. 53 No. 1) is at once a ‘minor’ piece and a highly significant one that richly rewards investigation. It is notable as an early instance of bitonality, being notated simultaneously in two keys – the male choir in G major and the female choir in A♭. Yet despite the apparent discordance of
Patrick McCreless, Benedict Taylor
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