Results 31 to 40 of about 5,614,720 (165)
Beethoven Returns to Bonn: Origins, Belonging and Misuse in Mauricio Kagel’s Ludwig van (1969)
Current Musicology, 2021 In 1969 West Germany, the country was abuzz with anticipation of the approaching Beethoven bicentennial. That year the composer and experimental filmmaker Mauricio Raúl Kagel, born in Argentina to Russian- and German-Jewish parents in 1931 and living in ...
Elaine Fitz Gibbon
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Trakya University Journal of Social Sciences, 2019 Beethoven enabled to all instruments’ groups albeit with limited and had colours with different instruments combinations. Bassoon which performed voices that formed harmony in classical approach and pedal sounds, vocalized bass sounds of woodwind ...
Hande Öztank Günalan
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Las sonatas woo 47 de Beethoven. Su importancia en el conjunto de las sonatas para piano
Ricercare, 2016 El objeto de estudio de la presente investigación, en este caso, las sonatas tempranas para piano de Ludwig van Beethoven, como piezas esenciales en el repertorio pianístico de la historia de la música académica.
Cristian Job Del Real Barreto
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Anuario Musical, 2020 El presente estudio constituye una aportación a la historia de la recepción de Ludwig van Beethoven en España durante la segunda mitad del siglo XIX y primer tercio del siglo XX, con especial atención a la creación musical, centrándose —dentro del marco ...
Christiane Heine
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Analyzing the Accuracy of Satellite-Derived DEMs Using High-Resolution Terrestrial LiDAR
LandThe accurate estimation of Digital Elevation Models (DEMs) derived from satellite data is critical for numerous environmental applications. This study evaluates the accuracy and reliability of two satellite-derived elevation models, the ALOS World 3D and
Aya Hamed Mohamed +2 more
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Symphonic Gift: Wagner's Siegfried Idyll and the Hermeneutics of Sonata Form
Music Analysis, EarlyView.ABSTRACT This article reimagines the place of programmatic interpretation within the New Formenlehre through the case study of Richard Wagner's Siegfried Idyll. To theorise the interaction between form and programme, I reconcile ‘separation’ and ‘conflation’ views – as represented by Julian Horton (2020) and Lawrence Kramer (2004a) – by deploying ...
RAFAEL ECHEVARRIA
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Beethoven in Sarajevo: Socio-political discourses in the background of the first performances of the Eeroica and the Pastoral Symphony [PDF]
MuzikologijaThe article explores the concert life of Sarajevo during the Austro-Hungarian administration (1878-1918), using the works of Ludwig van Beethoven as a case study.
Šehović Lana
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Now, Again and Again: The Metaphysics of Many Presents
Pacific Philosophical Quarterly, EarlyView.ABSTRACT This paper discusses whether there can be multiple present moments. After presenting some reasons for thinking that the question is worthwhile, I challenge several objections to its possibility: worries about the exclusivity of tense; the nature of change, tense logic and semantics; and the apparent tension between multiple presents and an ...
Nikk Effingham
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Anuario Musical, 2004 [de] Zu Musikinventaren und Verlags- bzw. Auktionskatalogen treten im 19. Jahrhundert, beginnend mit dem Chronologischthematischen Verzeichniss sämmtlicher Tonwerke Wolfgang Amade Mozart's durch Ludwig Ritter von Köchel, philologisch erarbeitete ...
Thomas Hochradner
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The listener of the chthonic god sand the barroom player: Adorno’s experience of Schubert [PDF]
Filozofija i Društvo, 2011 In this article the author is reconstructing the complex picture of Franz Schubert created by Theodor Adorno in his numerous references to the Viennese composer, but mostly in his 1928 article “Schubert”.
Jeremić-Molnar Dragana
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