Results 51 to 60 of about 405 (170)

The Origin of the Dominant: Schoenberg's ‘Strong Progression’ and the Realisation of Implied Virtual Pitches

open access: yesMusic Analysis, Volume 43, Issue 2, Page 247-301, July 2024.
ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
wiley   +1 more source

Kompozicije Ludwiga van Beethovna na koncertnih sporedih in v arhivu muzikalij ljubljanske Filharmonične družbe

open access: yesMuzikološki Zbornik, 2012
V prispevku je predstavljena frekvenca kompozicij Ludwiga van Beethovna na koncertih Filharmonične družbe do leta 1872. Pregled izvedb je dopolnjen s pregledom kompozicij, navedenih v družbinih katalogih in stanjem dejanskega ohranjenega gradiva v ...
Sara Železnik
doaj   +1 more source

Chrystus na Górze Oliwnej op.85 Ludwiga van Beethovena. Próba introspekcji (część II)

open access: yesSeminare, 2018
Ludwig van Beethoven, znany w kręgach muzycznych głównie z dorobku instrumentalnego, żywo interesował się twórczością wokalno-instrumentalną. Studiując dokonania swoich poprzedników, mistrzów baroku i klasycyzmu, starał się zrozumieć relację między ...
Marek Dudek
doaj  

Sobre Beethoven, O Silêncio de Hegel

open access: yesRevista da Tulha, 2019
É amplamente reconhecida a magnitude que ganhou a música como objeto do pensamento filosófico no século XIX. Mesmo compositores, antes considerados na condição de artesãos, tornaram-se pensadores influentes, na esteira da importância da música no ...
Lucas Eduardo da Silva Galon
doaj   +1 more source

A Composer Beyond Time: Ludwig van Beethoven’s Universal Music Conception and Piano Sonatas

open access: yesKonservatoryum
This article examines the universal musical understanding of Ludwig van Beethoven, one of the most influential composers in history, with a focus on his piano sonatas.
Ruba Pekdemir Peker
doaj   +1 more source

Ludwig van Beethoven

open access: yes, 1925
Empresa: Juan Mestres ...
Beethoven, Ludwig van   +3 more
openaire   +1 more source

Julia Hartwig i „studia osobowe”

open access: yesActa Universitatis Lodziensis. Folia Litteraria Polonica, 2019
Artykuł dotyczy muzyki w poezji Julii Hartwig, a przede wszystkim tekstów, w których autorka skupia się na postaciach wybitnych kompozytorów oraz wykonawców muzyki klasycznej i rozrywkowej (m.in. Ludwig van Beethoven czy Janis Joplin).
Julia Dynkowska
doaj   +1 more source

Česká beethoveniana Rudolfa Pečmana

open access: yesMusicologica Brunensia, 2015
Beethoven's personality and work is the foremost element in the musicological heritage created by Rudolf Pečman that is manifested especially by his monograph Ludwig van Beethoven's Stage Work (1999). In the 1950s Pečman examined the slavonic subjects in
Pavel Sýkora
doaj   +1 more source

Beethoven's deafness, the defiance of a genius

open access: yesInternational Archives of Otorhinolaryngology, 2009
Introduction: Ludwig van Beethoven, one of the greatest composers in History, was tormented for his whole life by a progressive deafness without definitive diagnosis. Many authors published studies about the etiologic possibilities of the deafness of the
Bento, Ricardo Ferreira
doaj  

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