Results 51 to 60 of about 5,614,720 (165)

Corpus Studies and ‘Close Listening’

open access: yesMusic Analysis, Volume 43, Issue 2, Page 191-246, July 2024.
ABSTRACT This article provides a detailed response to Markus Neuwirth and Martin Rohrmeier's article ‘Wie wissenschaftlich muss Musiktheorie sein?’, published in the Zeitschrift der Gesellschaft für Musiktheorie in 2016. I undertake to nuance their call for the wholesale adoption of machine‐assisted corpus‐based methods in music theory through a ...
NATHAN JOHN MARTIN
wiley   +1 more source

Beethoven cello sonatas, October 24, 1976

open access: yes, 2017
Recorded during a live performance at Dalton Theatre, Kalamazoo College, Kalamazoo, Michigan, October 24, 1976, program no. 33 of the Department of Music’s 1976-1977 season.Richard Kapuscinski, violoncello ; Phyllis Rappeport, piano.Reel 1: Sonata in F ...
Beethoven, Ludwig van, 1770-1827   +2 more
core   +2 more sources

The Origin of the Dominant: Schoenberg's ‘Strong Progression’ and the Realisation of Implied Virtual Pitches

open access: yesMusic Analysis, Volume 43, Issue 2, Page 247-301, July 2024.
ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
wiley   +1 more source

FACULTY RECITAL KATHLEEN WINKLER, violin JON KIMURA PARKER, piano THE COMPLETE CYCLE OF BEETHOVEN'S SONATAS FOR VIOLIN AND PIANO THREE CONCERTS: FEBRUARY 16,19 AND 22 Concert II Saturday, February 19, 2005 8:00 p.m. Lillian H. Duncan Recital Hall

open access: yes, 2017
Playlist: Sonata No.2 in A Major, Op.12 No.2 / Ludwig van Beethoven (1770-1827) -- Sonata No.3 in E-flat Major, Op.12 No.3 / Ludwig van Beethoven (1770-1827) -- Sonata No.4 in A Minor, Op.23 / Ludwig van Beethoven (1770-1827) -- Sonata No.5 in F Major ...

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FACULTY RECITAL KATHLEEN WINKLER, violin JON KIMURA PARKER, piano THE COMPLETE CYCLE OF BEETHOVEN'S SONATAS FOR VIOLIN AND PIANO THREE CONCERTS: FEBRUARY 16,19 AND 22 Concert I Wednesday, February 16, 2005 8:00 p.m. Lillian H. Duncan Recital Hall

open access: yes, 2017
Playlist: Sonata No.1 in D Major, Op.12 No.1 / Ludwig van Beethoven (1770-1827) -- Sonata No. 10 in G Major, Op.96 / Ludwig van Beethoven (1770-1827) -- Sonata No.7 in C Minor, Op.30 No.2 / Ludwig van Beethoven (1770-1827) -- Violin and Piano Sonata No ...

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Sobre Beethoven, O Silêncio de Hegel

open access: yesRevista da Tulha, 2019
É amplamente reconhecida a magnitude que ganhou a música como objeto do pensamento filosófico no século XIX. Mesmo compositores, antes considerados na condição de artesãos, tornaram-se pensadores influentes, na esteira da importância da música no ...
Lucas Eduardo da Silva Galon
doaj   +1 more source

A Composer Beyond Time: Ludwig van Beethoven’s Universal Music Conception and Piano Sonatas

open access: yesKonservatoryum
This article examines the universal musical understanding of Ludwig van Beethoven, one of the most influential composers in history, with a focus on his piano sonatas.
Ruba Pekdemir Peker
doaj   +1 more source

FACULTY RECITAL KATHLEEN WINKLER, violin JON KIMURA PARKER, piano THE COMPLETE CYCLE OF BEETHOVEN'S SONATAS FOR VIOLM AND PIANO THREE CONCERTS: FEBRUARY 16, 19 AND 22 Concert III Tuesday, February 22, 2005 8:00 p.m. Lillian H. Duncan Recital Hall

open access: yes, 2017
Playlist: Sonata No. 6 in A Major, Op. 30 No. 1 / Ludwig van Beethoven (1770-1827) -- Sonata No. 8 in G Major, Op.30 No.3 / Ludwig van Beethoven (1770-1827) -- Sonata No.9 in A Minor, Op.47 "Kreutzer" / Ludwig van Beethoven (1770-1827)

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