Results 51 to 60 of about 122,958 (229)
Philosophy Compass, Volume 21, Issue 2, March/April 2026.ABSTRACT Authenticity is an important and widely used concept in aesthetics. Yet it is also a contested and elusive one. In this article, we clarify the concept of authenticity as it is used in aesthetic discourse. Authenticity, we argue, is a term used to assert the truth of something possessing some contextually relevant feature that it is purported ...
Mark Windsor +1 more
wiley +1 more source
Boston University Woodwind and String Chamber Music Performance Class [PDF]
, 1986 This is the concert program of the Boston University Woodwind and String Chamber Music Performance Class performance on Monday, October 27, 1986 at 7:00 p.m., at the Marshall Room, 855 Commonwealth Avenue.
School of Music, Boston University
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Interplay Between Structure and Interfacial Interactions in Fe‐Gd Synthetic Ferrimagnets
Advanced Electronic Materials, Volume 12, Issue 4, 18 February 2026.Synthetic ferrimagnets with nearly identical Gd–Fe compositions but different architectures and crystallinity were investigated by element‐resolved microscopy, structural analysis and atomistic spin simulations. The results show that Curie temperature and domain evolution are governed primarily by structural order and interface quality, demonstrating ...
Álvaro González‐García +10 more
wiley +1 more source
Stejarul roșu (Quercus rubra L. syn. Q. borealis F. Michx.) la Zăbala-Covasna: studiu de caz [ Northern red oak (Quercus rubra L. syn. Q. borealis F. Michx.) in Zăbala-Covasna: A case-study] [PDF]
Bucovina Forestieră, 2019 A pure, 2 x 1 m (5,000 plants ha-1) plantation of northern red oak was established in the park of Mikes Castle (Zăbala, Covasna County) in the spring of 2012. The local ecological conditions (mean annual temperature 7.6 oC, mean annual rainfall 616 mm,
Ușurelu Beatrice-Maria +5 more
doaj +1 more source
Faculty recital: The complete Beethoven sonatas for piano and cello, Michael Reynolds, cello, Robert Merfeld, piano, September 22, 2004 [PDF]
, 2004 This is the concert program of the Faculty Recital: The complete Beethoven sonatas for piano and cello, Michael Reynolds, cello, Robert Merfeld, piano performance on Wednesday, September 22, 2004 at 8:00 p.m., at the Tsai Performance Center, 685 ...
School of Music, Boston University
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Mind, Brain, and Education, Volume 20, Issue 1, February 2026.ABSTRACT The sensory‐neural temporal sampling (TS) theory of language acquisition emphasizes the role of individual differences in speech rhythm processing. According to this theory, neural oscillations track loudness or amplitude modulation (AM) patterns—rhythmic fluctuations in speech intensity or energy—across multiple timescales.
Arantza Campollo‐Urkiza +4 more
wiley +1 more source
EXAMINATIONS ON LUDWIG VAN BEETHOVEN’S TRIO, OP. 11 AND SUGGESTIONS FOR CLARINET PLAYERS
Yüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 2019 This study examines the Trio, Op. 11 for clarinet, cello and piano in Bb Major by German composer Ludwig van Beethoven. It mainly focuses on the role of the clarinet within the ensemble and offers suggestions for improving performance technique and ...
İlkay Ak
doaj
Boston University Symphony Orchestra, February 2, 1988 [PDF]
, 1988 This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, February 2, 1988 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Ocerture to Coriolanus, Op.
School of Music, Boston University
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Annals of the New York Academy of Sciences, Volume 1556, Issue 1, February 2026.ABSTRACT A wealth of research has investigated rhythm processing in music and speech, revealing shared cognitive and neural correlates and potential transfer effects, as evidenced by shared benefits and shared processing difficulties, as well as effects of stimulation and training programs.
Barbara Tillmann +2 more
wiley +1 more source
The Relationship of Ludwig Van Beethoven and Johann Nepomuk Mälzel Through the Metronome
KonservatoryumThroughout history, music has been transformed by composers’ works, both musically and technically, with different and new ideas. Some composers marked the end of an era, while others marked the beginning of a new era and art movement.
Göknil Özkök Sezener
doaj +1 more source