Results 11 to 20 of about 121,657 (187)

Beethoven und der Fortschrittsgedanke

open access: yesMuzikološki Zbornik, 2015
The bourgeois/middle-class Modernity chose music for its art-as-religion and made Beethoven the key figure of its ideals. As a consequence, the “romantic image of Beethoven” (Arnold Schmitz) idealizes the composer as being freed of all earthly restrains.
Helmut Loos
doaj   +1 more source

THE NAME OF LUDWIG VAN BEETHOVEN AS THE PRECEDENT LEXICAL ITEM IN ANTHONY BURGESS’S NOVEL “A CLOCKWORK ORANGE”

open access: yesВестник Кемеровского государственного университета, 2017
The article analyzes features of the proper name of Ludwig van Beethoven as well as represents its intentional use in the process of verbalization of the phenomenon “Music” (based on the novel “A Clockwork” by Orange A. Burgess).
L. V. Korobko
doaj   +1 more source

Sliding-Window Pitch-Class Histograms as a Means of Modeling Musical Form

open access: yesTransactions of the International Society for Music Information Retrieval, 2021
This study proposes a fine-tuned approach to modeling musical form in Classical repertoires by analyzing pitch-class distributions in symbolic data using machine learning algorithms. Results suggest that sliding-window histograms, which take the temporal
Dror Chawin, Uri B. Rom
doaj   +1 more source

A contribution to the study of the dynamisation of the recapitulation in Ludwig van Beethoven's piano sonatas [PDF]

open access: yesZbornik Radova Akademije Umetnosti
This paper analyses the first movements of Ludwig van Beethoven's piano sonatas to examine approaches to the recapitulation, with particular focus on certain specific and innovative solutions.
Stojanović Danijela Đ.   +1 more
doaj   +1 more source

Dos homenajes a Beethoven: los cuartetos de Pere Tintorer (1814-1891) y Quintín Esquembre (1885-1965)

open access: yesAnuario Musical, 2020
El presente estudio constituye una aportación a la historia de la recepción de Ludwig van Beethoven en España durante la segunda mitad del siglo XIX y primer tercio del siglo XX, con especial atención a la creación musical, centrándose —dentro del marco ...
Christiane Heine
doaj   +1 more source

Joyful, Joyful! The Musical Significance of Beethoven's Ninth

open access: yesMusical Offerings, 2022
Almost everyone is familiar with Beethoven’s Fifth Symphony and the famous four note motif that represents fate knocking at the door. His Third Symphony, or “The Heroic Symphony” that was originally written for Napoleon Bonaparte, enjoyed great success ...
Allison N. Zieg
doaj   +1 more source

Tradurre in parole Beethoven: la Sonata per pianoforte in Re minore op. 31 n. 2 “La Tempesta”

open access: yesMusica Docta, 2020
The article simulates a lecture given in front of a musically non-literate audience, with the aim of illustrating one possible method for translating music into words. The exercise consists in a description of the first movement of the Sonata op.
Paolo Gallarati
doaj   +1 more source

Memoria sonora en formato rollo de pianola: la Colección Hazen

open access: yesRevista Ibero-Americana de Ciência da Informação, 2022
La colección de rollos de pianola de la familia Hazen, compuesta por 489 ejemplares, es un magnífico ejemplo de conservación y mantenimiento de la memoria sonora de un tiempo no tan lejano.
Esther Burgos Bordonau   +1 more
doaj   +1 more source

A Memetic Analysis of a Phrase by Beethoven: Calvinian Perspectives on Similarity and Lexicon-Abstraction [PDF]

open access: yes, 2015
This article discusses some general issues arising from the study of similarity in music, both human-conducted and computer-aided, and then progresses to a consideration of similarity relationships between patterns in a phrase by Beethoven, from the ...
Blackmore S. J.   +32 more
core   +2 more sources

Stereotypes of cultural heroes in comic Internet poetry: Their development and destruction

open access: yesШаги
The article analyzes modification of cultural stereotypes about famous people in the postfolklore space of small poetry genres that appeared on the Internet in the 2000s and are usually called stishki (short insignificant poems, sing. stishok).
M. A.  Krongauz
doaj   +1 more source

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