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Il volume è la traduzione italiana fatta da Simone Beta del libro di David L. Stockton "The Classical Athenian Democracy", pubblicato nel 1990 dalla Oxford University Press.
BETA, SIMONE
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Nel corso dei secoli il ruolo delle Muse ha subito continue oscillazioni, passando da divine garanti dell’ispirazione artistica a figure superflue e fittizie, e viceversa. Eppure le Muse non sono sempre esistite.
Beta, Simone
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The influence of external and internal motor processes on human auditory rhythm perception [PDF]
Musical rhythm is composed of organized temporal patterns, and the processes underlying rhythm perception are found to engage both auditory and motor systems.
Su, Yi-Huang
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BACKGROUND Rhythm control, either with antiarrhythmic drugs or catheter ablation, and rate control strategies are the cornerstones of atrial fibrillation (AF) management.
S. Zafeiropoulos +12 more
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Culture-Driven Plasticity and Imprints of Body-Movement Pace on Musical Rhythm Processing
International audienceMusic naturally induces human movement through its rhythmic structure. Conversely, synchronised body movement can shape rhythm perception – a short-term effect that is likely influenced itself by lifelong cultural exposure.
Coulon, Emmanuel +5 more
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The circadian rhythms generated by the master biological clock located in the brain’s hypothalamus influence central physiological processes. At the molecular level, a core set of clock genes interact to form transcription–translation feedback loops that
W. Trujillo-Rangel +8 more
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Rhythm requires poetic sections [PDF]
This is a proposed as an absolute (implicational) universal, and comes from Fabb and Halle (Meter): Where a text has a sustained regular rhythm, it is also divided into sections of determinate length.
Fabb, Nigel
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Background. Very scarce works are devoted to the study of hockey players' brain activity, which is connected, among other things, with the large amount of motor activity in athletes and the complexity of EEG registration. Objective.
I.S. Polikanova , S.V. Leonov
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Il volume contiene le traduzioni dei lirici greci di Filippo Maria Pontani. A Simone Beta si devono la prefazione ("Fantasmi": pp. v-xvi), l'introduzione (pp. xvii-xxvii), una bibliografia essenziale (pp.xxix-xl) e le note di commento (pp. 231-252)
Beta, Simone
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