Results 51 to 60 of about 74,135 (213)
Caxton's Afterlife in Manuscript (c.1475‐c.1500)
Renaissance Studies, EarlyView.Abstract At least thirty‐five manuscript copies of Caxton's prints have been found so far. This article explores the implications of such manuscript copies of Caxton's prints and, interrupting the linear history of the book, considers Caxton's appeal beyond print in manuscript.
Aditi Nafde
wiley +1 more source
What About Eco‐Populism? A Neglected Historical Tradition
Constellations, EarlyView.
Federico Tarragoni
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Renaissance Studies, EarlyView.Abstract Due to their prolonged and multicultural nature, councils functioned historically as hubs for the exchange of ideas, discourse, diplomacy and rhetoric, reflecting broader cultural trends. In the Middle Ages, no international forums were comparable to ecumenical councils, where diverse and influential groups from various regions convened to ...
Federico Tavelli
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La biblioteca de Bartolomé Barrientos, maestro de artes liberales
Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro, 2007 -
Donatella Gagliardi
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
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Las bibliotecas particulares del siglo XVIII: una fuente para el historiador,
Secuencia, 2003 Este artículo plantea, con base en los inventarios de dos bibliotecas episcopales del siglo XVIII, una serie de problemáticas acerca del estudio de las bibliotecas particulares que abordan tanto las fuentes como la cuestión de la producción y la ...
Laurence Coudart +1 more
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Renaissance Studies, Volume 40, Issue 1, Page 6-24, February 2026.Abstract The so‐called Liber Iesus, a Latin prayer book commissioned for the young Massimiliano Sforza by his father Ludovico il Moro in the 1490s, features a splendid miniature depicting a meeting between the child count and Emperor Maximilian I. It is accompanied by a brief dialogue in German with an interlinear version in Italian on the topic of the
Michael Berger
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