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Oprah in South Africa: The Politics of Coevalness and the Creation of a Black Public Sphere
Safundi, 2007In a recent article, Tarisha L. Stanley asked the question: “Can a mammy be a mammy if she builds girls’ schools in Africa?”1 This simple question captures the complex range of issues raised by Opr...
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Binding Freedom: Cuba's Black Public Sphere, 1868-1912
2016My dissertation studies the cultural, social, and political associations linked to the civil rights movement in Cuba during the late nineteenth and early twentieth centuries, which witnessed the abolition of slavery, the crumbling of colonialism and the entrance of black intellectuals into formal politics. I trace the emergence of a black public sphere
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The Uses of Vastey: Reading Black Sovereignty in the Atlantic Public Sphere
2017By looking at largely contemporaneous nineteenth-century writing about Vastey from England, the United States, and France, this chapter examines how Baron de Vastey’s writings became the signs and symbols of the promises of black sovereignty in the Atlantic World.
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Habermas and Oppositional Public Spheres: A Stereoscopic Analysis of Black and White Press Practices
Political Studies, 2007Drawing upon Jürgen Habermas's discourse-based theoretical approach, this article argues that his thesis regarding the bourgeois public sphere needs to be redirected so as (1) to show how sources of communicative action may have dried up within the bourgeois public sphere and (2) to explore real emancipatory alternatives that spring up as oppositional ...
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Antiquity, Tradition, and Anti-Blackness in Hannah Arendt's Public Sphere
TAPAsummary: Scholarship on Hannah Arendt's receptions of Greco-Roman antiquity has largely neglected debates about anti-Blackness in her writing. To begin to fill this gap, this article focuses on Arendt's concept of the public ( The Human Condition ) and her condemnations of Black student movements ( On Violence ).
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For whom is neo-soul?: Black women and rhetorical invention in the public sphere
2016This dissertation defines, interprets, and evaluates the social, political and cultural transformations of the musical genre neo-soul from 1995 to 2015. Public sphere critique, fandom studies, Black popular culture and the illusion of life rhetorical perspective on music are combined.
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R WE LOUD ENOUGH?: Re-inscribing monuments in the public sphere by the Black Lives Matter movement
Art & the Public Sphere, 2021James Brogden, Douglas Harper
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Editorial Comment: On Thinking the Black Public Sphere
Public Culture, 1994Arjun Appadurai +3 more
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Reflections on the Contemporary Public Sphere: An Interview with Judith Butler
Theory, Culture and Society, 2022Martin Seeliger
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