Results 11 to 20 of about 330 (111)
“Revenge is never a straight Line:” Whitewashing Blackness, Blaxploitation and the Development of White Imagery in Tarantino’s Django Unchained [PDF]
Litera: Dil, Edebiyat ve Kültür Araştırmaları DergisiDespite its release dates back to 2012, Tarantino’s Django Unchained remains one of the most visual and memorable cinematic representations of slavery in American cinema.
Beatrice Melodia Festa
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, 2023 Blaxploitation, das beliebteste urbane „Filmgenre der 70er Jahre“, kann mit seinem „schnell produzierte[n] Metaphernarsenal für die gesellschaftlichen Konflikte“ als kultureller Speicher der Mentalität der 1970er-Jahre gelten (Rauscher 2004: 107 ...
Ueberfeldt, Johannes, Blödorn, Andreas
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Black Lives Matter a través de las series de televisión estadunidenses
Norteamérica, 2018 En el presente artículo me propongo explorar cómo las demandas del movimiento antirracista afroamericano black lives matter se han reflejado en las series de televisión estadunidenses. En los últimos años se ha incrementado considerablemente el número de
Juan Vicente Iborra Mallent
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Sweet Sweetback’s Baadasssss Song de Melvin Van Peebles (1971) : exégèse d’un film militant
Revue LISA, 2009 Sweet Sweetback’s Baadasssss Song represented a turning point in filmmaking when it was released in 1971. This article focuses on the interplay of the political and the aesthetic in a film that was conceived as a means of furthering change in the ...
Delphine Letort
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Iperstoria, 2016 Given that “the civil rights movement without its music would have been like a bird without its wings”, music is more and more often acknowledged for being the backbone to the struggles for the civil rights in the US, from the mid-fifties through the mid-
Franco Minganti
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Mumbo Django: Afroamericanità e western
Iperstoria, 2013 Il dibattito che è seguito all’uscita americana dell’ultimo film di Quentin Tarantino, Django Unchained (2012), è stato tale che scriverne crea non pochi problemi a chi vuole affrontare il film in modo critico. Da dove dovremmo cominciare?
Elisa Bordin
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Return to the Grindhouse: Tarantino and the modernization of 1970s Exploitation Films
Enthymema, 2012 Exploitation films from the 1970s and early 80s such as Foxy Brown (Jack Hill, 1974) and Switchblade Sisters (Jack Hill, 1975) were the first films to allow women to actively control the narrative and course of events in a film.
Jenny Platz
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The Journal of Popular Culture, Volume 57, Issue 3, Page 175-188, June 2024.Abstract Hulu's Prey (2022), the fifth installment of the Predator franchise, is set in 1719 and features a Comanche female protagonist. The setting is unlike the 1987 Predator and its sequels, with their hardbody machismo and conservative politics. We argue that Prey is a small but significant step in Hollywood, but its inclusivity comes at a price ...
César Albarrán‐Torres, Andrew Lynch
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Foxy Ladies and Badass Super Agents: Legacies of 1970s Blaxploitation Spy and Detective Heroines
, 2021 The presentation of Black femininity in Blaxploitation spy and detective films like Cleopatra Jones (1973), Foxy Brown (1974), and Get Christie Love! (1974) – depicting powerful, independent, and multidimensional characters – was a sharp departure from ...
Todd, Carlie Nicole
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Spike Lee et la seconde Blaxploitation. Parabole ou naturalisme : deux stratégies testimoniales [PDF]
, 2012 Le propos de cet article est de montrer qu’après Do the Right Thing de Spike Lee, les films de réalisateurs afro-américains incités par son succès constituent une seconde Blaxploitation.
Patrick Mpondo-Dicka +3 more
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