Стилът боса нова в бразилската популярна музика – Проблеми на вокалната интерпретация : Автореферат на дисертация за присъждане на образователната и научна степен "доктор" [PDF]
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Relationship between prematurity and difficulties in the transition of food consistency in childhood: a systematic review. [PDF]
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‘Being the culture’ and ‘playing the culture’: Choro and the Brazilianness performed in Brussels
Crossings: Journal of Migration & Culture, 2021Choro is an instrumental Brazilian music genre that emerged in Rio de Janeiro in the nineteenth century. It can adopt various forms with a basis of guitar, flute and cavaquinho – the latter, a small guitar of Portuguese origin. Musical arrangements are normally elaborate, although in Brazil the players gather in usually informal and ...
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African Rhythms in Brazilian Popular Music: Tango Brasileiro, Maxixe and Choro
Luso-Brazilian Review, 2011As diferencas entre o maxixe e o tango brasileiro se definem mais claramente nos padroes de acompanhamento do violao. Este estudo define esses padroes e mostra a importância de entender as sutilezas das herancas Africana e Europeia na musica brasileira.
B. McCann, R. Miller
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What is the color of Choro? Color preferences for an instrumental Brazilian popular music genre
2023This project explores how a synesthetic experience related to music perception and color association varies across cultures, and whether music with more energetic expressions elicits richer color responses. A total of 206 participants took part in a survey using a customized web page. The participants got to listen to excerpts of Brazilian music in the
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THE BRAZILIAN CHORO: ITS HISTORY AND STRUCTURE
2018This article examines the Brazilian musical genre known as Choro. Having discussed the history of Brazil, the genre is subsequently discussed within a broader context of Brazilian popular music. Many important aspects of Brazilian music related to Choro are consid- ered: (1) the influence of African culture and European music; (2) the role of classical
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Guitar music by Heitor Villa-Lobos: genre traditions of Brazilian choro
Scientific herald of Tchaikovsky National Music Academy of UkraineШоро розглянуто як один із основних геральдичних жанрів музичної культури Бразилії, розповсюджених значною мірою у південно-східних регіонах Ріо-де-Жанейро та СанПаулу. Серед місцевих народно-побутових традицій музикування середини ХХ ст. шоро (стародавній плач) і самба віднесено до гібридного поля жанрів афро-бразильського коріння.
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The purpose of the research was to survey current opinions regarding the importance of choro courses in the music curriculum of Brazilian universities and determine which content would best meet the needs of music teaching and learning situations in Brazilian universities. The major findings of the study included the following: 1.
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Villa-Lobos' Choros No. 5 - Alma Brasileira (Brazilian Soul)
2014Villa-Lobos (1887-1959) is one of the most famous Brazilian composers of all time. He is known for composing in a unique and exotic style, especially given his frequent use of Brazilian elements in his music. He is also associated with Brazilian Modernism, most notably for the nationalistic influences in his compositions. Scholars agree that one of his
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