Results 41 to 50 of about 60,321 (223)
A musical path: from lundus to Buarque’s sonority
Vértices, 2011 Este artigo aborda a trajetória histórico-social da Música Popular Brasileira – MPB – até a entrada, em cena, de Chico Buarque de Hollanda. A relevância do tema se impõe por ser um resgate dos diversos momentos musicais e do que esses momentos trazem de ...
Arlete Parrilha Sendra +1 more
doaj +1 more source
Boston University World Music Ensembles, December 3, 2008 [PDF]
, 2008 This is the concert program of the Boston University World Music Ensembles performance on Tuesday, December 3, 2008 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Before It Was ‘New’: A Neglected History of Lived Experience–Led Criminal Justice
The Howard Journal of Crime and Justice, EarlyView.ABSTRACT A growing range of criminal justice initiatives are being shaped and delivered by people with lived experience, including peer mentoring, prisoner councils and policy advocacy roles. While often seen as recent innovations, we reveal a deeper, largely unacknowledged history dating back to at least the 19th century.
Gillian Buck +2 more
wiley +1 more source
MILTON NASCIMENTO: A SMALL BIBLIOGRAPHY
Travessias, 2015 Milton Nascimento, nationally recognized as an icon of Brazilian popular music, was born in Rio de Janeiro on August 26, 1942. The son of a maid named Maria do Carmo - poor and the interior of Minas Gerais - Milton Nascimento lost his mother too soon, a ...
alberto carlos de souza
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From inclusion to (neuro)divergent safe space in organizations
International Journal of Management Reviews, EarlyView.Abstract Neurodiversity in organizations remains an underexplored area, leaving gaps in understanding how organizations may create safe spaces for and with neurodivergent employees. This article engages with current neuro‐inclusion debates and advocates for a shift towards a framework of (neuro)divergent safe space, offering a more refined exploration ...
Frederike Scholz +2 more
wiley +1 more source
Música popular brasileira, indústria cultural e identidade
EccoS – Revista Científica, 2001 This text shows an overview approach of Brazilian popular music raise, connected with the development of the phonograph industry and its market in Brazil.
José Roberto Zan
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A gravadora Chantecler e a música regional do Brasil
Estudos AvançadosRESUMO Este texto busca apresentar a trajetória da gravadora paulistana Chantecler que, desde sua criação, em 1958, teve um papel fundamental na produção de discos de artistas ligados à música regional brasileira, especialmente à música sertaneja. Até os
EDUARDO VICENTE
doaj +1 more source
From “Greater America” to America’s Music: Gilbert Chase and the Historiography of Borders [PDF]
, 2019 This essay considers the hotly debated U.S. border and its relationship to music historiography vis-à-vis the unconventional career of Gilbert Chase (1906-92), the first U.S. musicologist to take seriously the music of the Spanish-speaking world.
Hess, Carol A.
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A Conversation With David Bellhouse
International Statistical Review, EarlyView.Summary David Richard Bellhouse was born in Winnipeg, Manitoba, on 19 July 1948. He studied actuarial mathematics and statistics at the University of Manitoba (BA, 1970; MA, 1972) and completed his PhD at the University of Waterloo, Ontario, in 1975. After being an Assistant Professor for 1 year at his alma mater, he joined the University of Western ...
Christian Genest
wiley +1 more source
Axé music: mitos, verdades e world music Axé music: myths, truths and world music
Per Musi, 2010 O artigo discute a Axé music, oferecendo elementos na tentativa de desconstrução de três mitos nela evidenciados: monocultura, baixa qualidade técnica e sua decadência.
Armando Alexandre Castro
doaj +1 more source