Results 111 to 120 of about 29,228 (231)
Boston University Percussion Ensemble, March 26, 2009 [PDF]
, 2009 This is the concert program of the Boston University Percussion Ensemble performance on Thursday, March 26, 2009 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Conservatory Garden
School of Music, Boston University
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De-centering Theatrical Heritage: Forum Theater in Contemporary Senegal
African Studies Quarterly, 2014 The current state of Senegalese theater is a source of concern for a number of the country’s most prominent directors and performers, many of whom have come to doubt the efficacy of the centralized cultural policies that have led to the construction of ...
Brian Quinn
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A carteira fatal – (Sobre)vivência do melodrama no interior do Brasil
Pitágoras 500, 2013 This paper analyzes the text of melodrama The fatal wallet presented in 1980 by members of Shalom Youth Group in the city of Antonio Gonçalves. First, the paper presents some characteristics of the melodramatic genre and points out the Catholic Church as
Reginaldo Carvalho +1 more
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The question of national-popular in Brazilian dramaturgy/theater
Revista Cerrados, 2010 This paper intends a review of the Antonio Gramsci’s concept of national-popular, taking into account an understanding of the manner in which it has been discussed and assimilated from different points of view by dramaturgy/theater criticism. The national-popular have often only been associated with a certain doctrinaire level of political performance ...
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The Gains From Trade: South American Economic Integration and the Resolution of Conflict [PDF]
, 2010 It has long been argued that expanding commercial relations between countries acts as an incentive for countries to avoid hostilities up to and including armed conflict.
Jake Johnston, Mark Weisbrot
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Pitágoras 500, 2012 The present work stand as an exercise in an attempt of pointing out some fundamental issues of Décio de Almeida Prado’s thoughts in which regards the formation of the Brazilian modern theater.
Berilo Luigi Deiró Nosella
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The Brazilian Theater’s Attempts to Modernize its Scene
, 2016 A modernização do teatro brasileiro não decorre unicamente da encenação de Vestido de Noiva (1943), de Nelson Rodrigues, mas foi o resultado de uma série de tentativas de renovar a cena nacional. Durante a década de 1930, autores diversos lançaram-se a várias experiências no campo dramatúrgico, embasados em correntes e filosofias que estavam em voga na
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, 2020 O artigo reflete sobre as condições de emergência dos Colégios de Aplicação (CAPs) no país, a partir de um apanhado histórico de sua criação e do seu papel na formação docente e discente. Relaciona-se sua fundação a transformações educacionais almejadas nas primeiras décadas do século XX. Os CAPs são idealizados como campo de prática e pesquisa docente
Molina, William Fernandes +1 more
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Between School and University: dinosaurs and little notebooks towards an embodied dramaturgy
Revista Brasileira de Estudos da Presença, 2017 This six-hand written paper insists on the non-dichotomy between body and mind, action and thought, objectivity and subjectivity, in order to reach the fertile adult-child relationships within fictionality.
Taís Ferreira +2 more
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Between School and University: dinosaurs and little notebooks towards an embodied dramaturgy
Revista Brasileira de Estudos da Presença, 2016 This six-hand written paper insists on the non-dichotomy between body and mind, action and thought, objectivity and subjectivity, in order to reach the fertile adult-child relationships within fictionality.
Taís Ferreira (Universidade Federal de Pelotas – UFPEL, Pelotas/RS, Brazil) +2 more
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