Radical dystopia: The comic modernism of George Orwell's Nineteen Eighty‐Four
Orbis Litterarum, EarlyView.Abstract The present essay turns the received view of George Orwell's Nineteen Eighty‐Four on its head, arguing that Orwell's dystopian classic mobilizes the modernist techniques of T. S. Eliot's The Waste Land to lampoon the ideological fatalism of Eliot and other cultural conservatives.
Magnus Ullén
wiley +1 more source
Sign2Story: A Multimodal Framework for Near-Real-Time Hand Gestures via Smartphone Sensors to AI-Generated Audio-Comics. [PDF]
Sensors (Basel)Faraz G, Jing L, Li X.
europepmc +1 more source
Using Celebrity to Advance Equality
Journal of Social Philosophy, EarlyView.
Alfred Archer
wiley +1 more source
Middlebrow Aesthetics: An Explanation and Defense
Pacific Philosophical Quarterly, EarlyView.ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley +1 more source
Rewarding behavior change in rural communities: Pathways for a sustained inclusive change for child health. [PDF]
PLOS Glob Public HealthAli SS +12 more
europepmc +1 more source
From Everyman to Hamlet: A Distant Reading
Renaissance Studies, EarlyView.Abstract The sixteenth century sees English drama move from Everyman to Hamlet: from religious to secular subject matter and from personified abstractions to characters bearing proper names. Most modern scholarship has explained this transformation in terms originating in the work of Jacob Burckhardt: concern with religion and a taste for ...
Vladimir Brljak
wiley +1 more source
Coming Up Next: The Extent of the Perceptual Window in Comic Reading. [PDF]
Cogn SciKirtley C +3 more
europepmc +1 more source
The Tree of Chivalry and the Black Lady: Juana of Castile's 1496 Joyous Entry into Brussels☆
Renaissance Studies, EarlyView.Abstract Kupferstichkabinett MS 78D5 (Staatliche Museen Berlin) presents an iconographic account of the Joyous Entry of Juana of Castile into Brussels on 9 December 1496. In this article, we newly identify a rare visual record of a civic contribution to a tournament within the manuscript.
Nadia T. van Pelt +2 more
wiley +1 more source
A Technology-Aided Program to Help People With Intellectual and Multiple Disabilities Access Leisure Stimuli and Engage in Cognitive and Physical Activity: Development and Usability Study. [PDF]
JMIR Rehabil Assist TechnolLancioni GE +5 more
europepmc +1 more source
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source