Results 101 to 110 of about 75,660 (223)

L’un·e chante, l’autre aussi : une féminisation des musiques populaires en France

Transposition
This article analyses the process of social visibilisation and empowerment carried out by French popular music artists and professionals in the first two decades of the twenty first century, as they challenge the cis- and heteropatriarchal gender system.
Isabelle Marc, Barbara Lebrun
doaj   +1 more source

Le récit de vie de vedette, L’invention d’un genre : Rigolboche, Thérésa, Paulus

Belphégor, 2013
Cet article porte sur la naissance d’un genre, le récit de vie de vedette, à partir de trois exemples, les mémoires de Rigolboche (1860), Thérésa (1865) et Paulus (1908).
Marie-Ève Thérenty
doaj   +1 more source

Max Rydqvist, baritone and Michelle Beaton, piano, April 22, 2018 [PDF]

, 2018
This is the concert program of the Max Rydqvist, baritone and Michelle Beaton, piano performance on Sunday, April 22, 2018 at 4:30 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were "Le violette" by Alessandro Scarlatti, "O cessate
School of Music, Boston University
core  

De amplexu reservato

Estudios Eclesiásticos, 1956
El siguiente artículo aborda las diferentes dimensiones y concepciones en material moral y sexual del abrazo reservado. Se estudia su relación con el acto sexual completo y perfecto, así como las características que tiene este abrazo a la hora de unir ...
Aurelio Yanguas
doaj  

The popular and the avant-garde: performance, incorporation and resistance [PDF]

, 2015
Many modernists in the late nineteenth century harboured a strong suspicion of the emerging mass culture produced for the working classes. Adopting a position similar to Matthew Arnold’s (2009) that culture was the speciality of a cultured few, and not ...
Price, Jason
core  

Marissa Plati, mezzo-soprano and Anna Carr, piano, May 1, 2015 [PDF]

, 2016
This is the concert program of the Marissa Plati, mezzo-soprano and Anna Carr, piano performance on Sunday, May 1, 2016 at 3:00 p.m., at the Opera Space, 808 Commonwealth Avenue.
School of Music, Boston University
core  

La canción francesa como transmisora de ideología: análisis lingüístico de la canción “La bête” de Zebda [PDF]

Synergies Espagne, 2011
La chanson en France a été un instrument idéologique puissant dès les premières chansons de geste, jusqu’aux dernières chansons de rap ou de rock alternatif.
Ana María Iglesias Botrán
doaj  

Boston University Choral Ensembles, November 16, 2007 [PDF]

, 2007
This is the concert program of the Boston University Choral Ensembles performance on Friday, November 16, 2007 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core  

Voir ce qu’il ne faut pas entendre

Cahiers d’Études Romanes
La chanson Le Blason repose sur le principe d’une paralipse. En prétendant faire l’éloge du sexe féminin, c’est en fait un mot tabou que Georges Brassens décrit sans le nommer.
Donatienne Borel
doaj   +1 more source

Giuseppe Verdi: Messa da Requiem [PDF]

, 2001
This is the concert program of the Boston University Symphony Orchestra and Boston University Symphonic Chorus performance on Monday, November 19, 2001 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue.
School of Music, Boston University
core