Results 161 to 170 of about 454 (199)
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Chinese Traditional Opera database for Music Genre Recognition
2015 International Conference Oriental COCOSDA held jointly with 2015 Conference on Asian Spoken Language Research and Evaluation (O-COCOSDA/CASLRE), 2015This paper introduces the database of Traditional Chinese Opera for Music Genre Recognition, which is still a gap in our knowledge. The database contains different songs which are from the 14 most popular kinds of Chinese Opera, including Sichuan Opera, Beijing Opera, etc. Each Opera is then annotated between music, song and speech which are identified
Rashedul Islam, Mingxing Xu, Yuchao Fan
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Journal of Popular Music Education, 2019
Teaching and learning popular music and world musics are prominent topics in music education but often play a supplement role in the classroom. The main purpose of this quantitative experimental study was to investigate the effects of Chinese popular music on students’ familiarity and preference for its traditional version.
Yunshu Tan
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Teaching and learning popular music and world musics are prominent topics in music education but often play a supplement role in the classroom. The main purpose of this quantitative experimental study was to investigate the effects of Chinese popular music on students’ familiarity and preference for its traditional version.
Yunshu Tan
exaly +2 more sources
The Development of 'Chinese Style' Piano Music Influenced by Chinese Traditional Musical Instrument
SSRN Electronic Journal, 2021The ‘Chinese style’ piano music first appeared to the public is from a competition named ‘Chinese style piano works composing competition’, held in Shanghai in November 1934 by Russian-American composer and pianist Alexander Tcherepnin. 'Chinese style' is a cultural concept.
Jinjin Hou, Lee Chie Tsang Isaiah
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The Incorporation of Chinese Traditional Elements in “Chinese Style” Pop Music
Yixin Publisher, 2023Chinese pop music, often regarded as an ‘imported’ commodity, possesses concise compositions, easy comprehensibility, and a diverse range of styles. Due to its relatable content mirroring everyday life, it enjoys widespread adoration among the Chinese populace. In recent times, with the global proliferation of pop music, Chinese musicians have embarked
Hyuntai Kim, Xi Jin
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A Discussion on Chinese National Musical Traditions
Asian Music, 1981By all accounts, the second Durham (England) Oriental Music Festival (4-17 August 1979) was a great success. Ensembles from eight Asian countries gave a total of eighteen performances, ten scholars delivered fifteen lectures, and, perhaps most important, participants in the Festival (performers, scholars, and residents) spent much of the two weeks ...
Fang Kun +3 more
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Influence of traditional Chinese music on modern music education in China
OOO "Zhurnal "Voprosy Istorii", 2023The article analyzes the influence of traditional Chinese music on modern music education in China. In conclusion, the future of the industry and the role of the state in the development of traditional Chinese music are considered.
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The Transverse Flute in Traditional Chinese Music
Asian Music, 1978known by the name di-dze_ i 4 . Chinese musicologists frequently begin discussion of its early development with the imported heng-chui i r~' , of the Han dynasty (206 B.C.220 A.D.) or the eearlier indigenous chih flute. Some writers, in following the time-honored Chinese tradition, as cri4be the origin to the 2698 B.C.
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Chinese Traditional Music for Birthday Celebration
Asian Music, 1975In different parts of China, The traditional musics for birthday celebrations are different, but many pieces are related to the legend of Eight Immortals and longevity, such as Pa-hsien-ch'ing-shou ( A i V , Eight Immortals Congratulated Birthday), Wan-shou-wu-chiang ( , Long Life without Limit) etc.
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[Chinese traditional five-tone music therapy].
Zhonghua yi shi za zhi (Beijing, China : 1980), 2023The ideology of Chinese traditional five-tone music therapy started in the five-tone music practice for witch medicine (Wu Yi) or Shaman medicine (Sa Man Yi Xue) treatment in the primitive period. It came from the five-element thinking, i.e, wood, fire, earth, metal and water which matches each inner organ in the human body to diagnose the lesion of ...
Y, Zhang, S H, Gao
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Analysis of timbre perceptual discrimination for Chinese traditional musical instruments
2017 10th International Congress on Image and Signal Processing, BioMedical Engineering and Informatics (CISP-BMEI), 2017The rapid development of large Chinese orchestras leads to a problem about the timbre perception of Chinese traditional music that the instrumental ensemble does not reach the musical consonance defined by western musical theory. To better understand the special timbre structure of Chinese traditional instruments, this paper investigated the perceptual
Jingying Zhang, Lingyun Xie
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