Results 31 to 40 of about 1,174,891 (160)
Вестник Восточно-Сибирского государственного института культуры, 2023 The article considers some features of the style and peculiarities of the choral writing of the Buryat composer D. Korkina on the basis of the analysis of the choral score «Potpourri on the themes of the Buryat songs» refracted through the prism of the author’s personal performing experience.
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SOME ASPECTS OF THE INTERPRETATION OF THE CHORAL MINIATURES BY ZLATA TKACI IN CONCERT PRACTICE [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2019 This article includes an analysis of two choral creations signed by the well-known composer Zlata Tkaci, „Dulce plai” and „Lacul albastru”. Both miniatures include a range of means of expressiveness that help considerably the formation of the concept ...
MIHALAŞ MIHAI
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VASILE ZAGORSCHI’S CHOIR MINIATURE SEARA DE VARA: INTERPRETATIVE VISIONS [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2018 „Seara de vara” is one of the most representative and at the same time accessible choral miniatures signed by the composer V. Zagorschi. The poetic text of this piece contains many picturesque images of a summer evening in a village.
Mihalaș Mihai
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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage
Sillages Critiques, 2018 In an aesthetics of trauma, debbie tucker green gives voice to marginalized and politically minor voices which she directs in her writing as one would a symphonic orchestra. Her texts, which draw simultaneously from poetry, song lyric writing and musical
Lea Sawyers
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Философия и культура, 2022 The purpose of this article is to identify a close, "polyphonic" connection, consolidation of ancient forms and techniques of compositional writing of the twentieth century. The subject of the study is the choral creativity of Alexander Vustin. The object of the study is the consideration of polyphonic works of techniques in A.
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Da Saramago a Cechov: il teatro musicale di Azio Corghi e il “teatro epico” del ‘900
Itinera, 2013 Since his debut, in Gargantua (1984, by François Rabelais), and even more in the works composed in collaboration with José Saramago (Blimunda, 1990; Divara, 1993), Azio Corghi has pursued an idea of drama characterized by a marked ‘aesthetic presence’ of
Graziella Seminara
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, 2022 The concept of "Fundamentals of choral writing" occupies a special place in awakening and developing interest in choral music in the work of future composers. Composers who master the basics of choral writing will gain insight into choral art, adapt, rework, and compose for choral music.
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Journal of History Culture and Art Research, 2018 This article analyzes the genre of spiritual concert of S.A. Degtyarev “Glory be to this day” in the context of the style of the Russian choral writing of the late XVIII – early XIX centuries. Compositional, genre, dramatic patterns, the technological specifics of the structure of the choral works presented as elements of meaning of music, by means of ...
Lyudmila Romenskaya +3 more
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These Watershed Times: Confluence and Collaboration in New Zealand's Choral Context
, 2020 This choral view across forty years identifies respect for and collaboration with Māori composers and performers, as the search for a language that Lilburn first contemplated in 1946, continues.
Grylls, Karen
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Performance as chorister in 2014 Teapot Valley Choral Summer Camp
, 2014 I performed as a chorister for the 2014 Teapot Valley Choral Summer Camp, Nelson, NZ under British choral director Brian Kay. Works included Messa de Gloria (Puccini) and Gloria (Vivaldi) and 2 new works by Chris Artley (NZ) Study of the scores and ...
Senior, Wayne L
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