Results 41 to 50 of about 1,174,891 (160)

Characteristics of Choral Writing in György Ligeti’s Late Works

open access: yesVestnik of Saint Petersburg University. Arts, 2018
Article is devoted to the last vocal works a cappella created Gyorgy Ligeti in 1980 — the 1990th years: “Drei Phantasien nach Fridrich Holderlin”, “Magyar Etudok” and “Nonsense Madrigals”. The author traces relationship between the previous and last choral opuses by the master, between Ligeti’s choral works and choral creativity of his predecessors and
openaire   +2 more sources

CHORAL WRITING IN SELECTED SACRED WORKS OF IGOR STRAVINSKY: A CONDUCTOR'S GUIDE [PDF]

open access: yes, 1982
This 'guide' pursues two aims: to provide a model for the exhaustive score preparation needed by any choir—trainer, professional or amateur and to put Stravinsky’s choral canon into historical and critical perspective. A twofold analysis includes technical details of the works and an assessment of their aesthetic qualities from both the audiences and ...
openaire   +1 more source

The choral music of Charles Villiers Stanford (1852-1924 and the press c.1875-1925 [PDF]

open access: yes, 2008
This detailed survey of Stanford's choral music is divided into two parts. Part One outlines those influences in the composer's family background and career path that encouraged him to produce so much music for choirs, both sacred and secular, and seeks ...
Smith, Peter John
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Choral Writing Components: the System of Interaction of Music Composition

open access: yesCulture of Ukraine, 2019
The aim of the study is to reveal the content of the components of choral writing. To achieve the aim, the following tasks were set: to substantiate the functional interaction of components of choral writing; to find out how these components “work” among themselves in a choral work.Research methodology.
openaire   +3 more sources

DER MUSIKALISCHE SPRACHE DES KOMPONISTEN PIERRE VILLETTE IN DEN „A CAPPELLA MOTETTEN HYMNE A LA VIERGE (OP. 24) UND PANIS ANGELICUS (OP. 80)“

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2014
This paper presents first of all the importance of the 20th century French composer Pierre Villette, who’s instrumental, vocal-instrumental and choral works are relatively unknown even between musicians.
Miklós FEKETE
doaj  

Sir Frederick Ouseley, the foundation of St Michael’s college, Tenbury Wells, and the ideals of Anglican choral tradition in the Victorian age [PDF]

open access: yes, 1997
The Church and College of St Michael and All Angels, Tenbury Wells was founded in 1856 by The Rev'd Sir Frederick A. G. Ouseley. It wasintended to serve as a model to the cathedral churches of England and choral services were performed twice daily by a ...
Scott, Ellen Rachel
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Choral Pedagogy and the Construction of Identity: Boys

open access: yes, 2017
This chapter examines how theories of identity construction can usefully inform choral praxis. It starts with an outline of key concepts in theories of identity and how they can help us understand the processes by which choirs inculcate their members ...
Harrison, Scott, Young, Anthony
core   +1 more source

Lermontov’s Texts in Tchaikovsky’s Oeuvre

open access: yesСовременные проблемы музыкознания
Tchaikovsky’s musical legacy includes only two works related to Lermontov’s poetry. These are the song The Love of a Dead Man (1878), which is a part of Opus 38, and the a cappella chorus A Golden Cloud Spent the Night (1887).
Zivar M. Guseinova
doaj   +1 more source

THE CHORAL OUTLINE IN THE OPERA “ALEXANDRU LĂPUŞNEANU” BY GHEORGHE MUSTEA

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2012
The music of Gheorghe Mustea displays a heterogeneous style, richly inspired by the compositional manner of the great composers of this genre (M. Mussorgsky, George Enescu), with elements of folk origin, of a special charm and richness. The most diverse
Luminiţa GUŢANU
doaj  

Exo-Autoethnography and the Trauma Narrative

open access: yes, 2016
Since the late 1970s, autoethnographic research and writing has progressively demonstrated that non-fiction creative writing practice can aptly utilise this alternate-ethnographic method as part of its research and narrative, producing rigorous creative ...
Denejkina, Anna (R19494), Denejkina, A
core  

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