Results 21 to 30 of about 189,881 (180)
Quand le cinéma descend dans la rue
Cahiers d’Études Romanes, 2019 Cet article s’intéresse à deux films documentaires tournés dans les rues de la capitale espagnole entre 1975 et 1977 par le Colectivo de Cine de Madrid : Amnistía y libertad et Hasta siempre en la libertad.
Jean-Paul Aubert
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Feminist phenomenology and the film-world of Agnes Varda [PDF]
, 2013 Through a discussion of Agnès Varda’s career from 1954 to 2008 that focuses particularly on La Pointe Courte (1954), L’Opéra-Mouffe (1958) The Gleaners and I 2000), and The Beaches of Agnes (2008), this article considers the connections between Varda’s ...
Ince, Kate
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The marches of Gustave Cauvin – the first systematic and regular form on militant cinema
Revista Mundos do Trabalho, 2018 The role of Gustave Cauvin (1886-1951) in the demarcation of the first phase of militant cinema was, individually, the most striking. This paper aims to present to the Brazilian public, through police reports and militant newspapers and by the work of ...
Luiz Felipe Cezar Mundim
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Cinema of the exile. An interview with Lars Safstrom and Luiz Alberto Sanz
Aniki: Revista Portuguesa da Imagem em Movimento, 2015 Pioneers of militant cinema in the 1970s, in Sweden, filmmakers Lars Safstrom and Luiz Alberto Sanz have recorded several interviews of Brazilians exiled in Europe during that period. The films they have co-directed are, today, important archives for the
Anita Leandro
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Le travailleur de l’automobile au cinéma. Montage-remontage d’un personnage pluriel [PDF]
, 2007 Les films qui s’intéressent aux ateliers de fabrication de voitures et à leurs ouvriers, films d’entreprise, de fiction, documentaires ou militants, permettent d’analyser l’évolution des regards portés sur eux.
Hatzfeld, Nicolas +2 more
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Cine, izquierdas y democracia en Uruguay: tres momentos (1956-1990)
Nuevo mundo - Mundos NuevosStudies on cinema and politics in Uruguay have been consistently developed, but they have primarily focused on the “militant cinema”, during the late sixties. It is now necessary to undertake critical reflections that encompass a wider period. To address
Pablo Alvira
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Historia Crítica, 2013 This article studies the audiovisual representation of the Partido Comunista de España (PCE: Spanish Communist Party), presenting it as a historiographical practice that has proposed various signification logics in the past.
José Carlos Rueda Laffond
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The point in time: Precise chronology in early godard [PDF]
, 2003 This essay considers the significance of reference to chronologically specific material (including newspapers, magazines, radio broadcasts, graffiti) in Godard’s first three films of the 1960s - Le Petit soldat/The Little Soldier (made 1960, released ...
Lack, RF
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Cadernos Pagu, 2007 Neste artigo traço um breve panorama do crescimento e diversificação dos festivais GLBT de cinema e da visibilidade gay. A análise está centrada nas transformações que configuraram uma nova cinematografia denominada, no início dos anos 1990, de queer ...
Karla Bessa
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Pedagogy of the written image [PDF]
, 2010 "Text, it is Jean-Luc Godard’s “ennemi royal, principal." Text, it is on the side of death, “les images c’est la vie et les textes, c’est la mort”. Twenty years later and the war is not over: “Une image
Dronsfield, Jonathan L.
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