Results 21 to 30 of about 7,501 (189)

Escritura de la historia en televisión: la representación del Partido Comunista de España (1975-2011)

open access: yesHistoria Crítica, 2013
This article studies the audiovisual representation of the Partido Comunista de España (PCE: Spanish Communist Party), presenting it as a historiographical practice that has proposed various signification logics in the past.
José Carlos Rueda Laffond
doaj   +1 more source

Eloquent fragments: French fiction film and globalization [PDF]

open access: yes, 2007
French (and Franco-Belgian) cinema has witnessed a return to the real since the middle of the 1990s and should thus successfully have pinned down the impact of the globalizing economy on the sociopolitical sphere.
O'Shaughnessy, M
core   +1 more source

Os festivais GLBT de cinema e as mudanças estético-políticas na constituição da subjetividade GLBT movie festivals and the aesthetic-political changes in the constitution of subjectivity

open access: yesCadernos Pagu, 2007
Neste artigo traço um breve panorama do crescimento e diversificação dos festivais GLBT de cinema e da visibilidade gay. A análise está centrada nas transformações que configuraram uma nova cinematografia denominada, no início dos anos 1990, de queer ...
Karla Bessa
doaj   +1 more source

A Panorama of Brazilian documentary film activism in the 2010s

open access: yesRevista Teknokultura
This article analyzes Brazilian documentaries from the last decade, investigating their narrative and visual strategies and relating them to emerging video activism practices. Referred to here as ‘documentary cine-activism’, this set of films belongs to
Márcio Zanetti Negrini   +3 more
doaj   +1 more source

Encuentros y desencuentros entre dos grandes obras: El río Oscuroy Las aguas bajan turbias (Argentina, 1943/1952)

open access: yesNuevo mundo - Mundos Nuevos, 2012
Much of Argentine cinema of the 40's and 50’s echoed the social transformations of that period. During the Peronist government, cinema director and tango singer Hugo del Carril included oppressed social sector of rural areas in his films, especially in ...
Cristina Mateu
doaj   +1 more source

Displaced Impacts: Visibility, Care, and Humanitarian Filmmaking in Iran

open access: yesAmerican Anthropologist, EarlyView.
ABSTRACT Socially oriented documentary films are increasingly expected to articulate “impact” goals to gain international distribution, yet what counts as impact for those represented remains contested. This article examines how narratives about working and displaced youth in Iran are produced and circulated through social filmmaking.
Nat Nesvaderani
wiley   +1 more source

Imagens de Marighella: o cineasta militante, a diretora-sobrinha, o mesmo herói

open access: yesIdeAs, 2016
This paper proposes a comparative analysis of two documentaries about the same historical character from Brazil: Marighella: retrato falado do guerrilheiro (Silvio Tendler, Brazil, 2001) and Marighella (Isa Grinspum Ferraz, Brazil, 2011).
Fernando Seliprandy
doaj   +1 more source

Pedagogy of the written image [PDF]

open access: yes, 2010
"Text, it is Jean-Luc Godard’s “ennemi royal, principal." Text, it is on the side of death, “les images c’est la vie et les textes, c’est la mort”. Twenty years later and the war is not over: “Une image
Dronsfield, Jonathan L.
core   +4 more sources

A bout de souffle: the film of the book [PDF]

open access: yes, 2004
Not the cinematic adaptation of a literary pretext: A bout de souffle (1960) by Jean-Luc Godard is based on an original treatment. Nor the book of the film: A bout de souffle (1960) by Claude Francolin is the literary adaptation of a cinematic pretext ...
Lack, R.-F.
core  

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