Results 31 to 40 of about 658,254 (343)
New French extreme cinema combines existentialism with shock, hyper violence, and transgressions of women’s bodies. I contend such imagery is best understood as a representation of violence that enables enlightenment in and through the representation of
Alicia Kozma
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Socialist film co-productions. The case of the Polish-Czechoslovak film co-production What Will My Wife Say to This? (1958) by Jaroslav Mach [PDF]
This article offers an analysis of the Polish-Czechoslovak co-production What Will My Wife Say to This? (Co řekne žena, 1958, directed by Jaroslav Mach) as seen from the perspective of production-related and cultural factors.
Ciszewska, Ewa
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Study of Lighting Techniques of Food Advertising Photo Production [PDF]
Commercial photography is a branch of photography, considering some elements that are not important in the artwork, such as advertising needs, purpose, and style at the present time.We usually see this type of images in catalogs, brochures, and ...
Yassmin Nasser Atef+2 more
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World Cinema, Third Cinema [PDF]
Abstract This article examines the term ‘World Cinema’ by comparing it to ‘world literature’, as understood by two German thinkers of the Romantic period: Johann Wolfgang von Goethe and Karl Marx, who attributed universal appeal to it. It argues that World cinema, like world literature, testifies to the unequal distribution of economic and cultural ...
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Sci-fEAST: Science fiction genre in Polish and Czechoslovakian cinema [PDF]
This article is based on research done as part of Sci-fEAST: the Science Fiction Genre in Central and Eastern Europe project initiated by the students of Charles University in Prague and continued also by the academic staff of the University of Łódź ...
Góralik, Mikołaj
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The role of technological developments on the representation of violence in the history of cinema based on the phenomenology of Don Ihde [PDF]
Just as violence is a part of human nature and cannot be avoided, it has also been present in movies since the beginning of this art form, and it has been the subject of attention and study by various thinkers.
mojtaba fallah pour, ali sheikhmehdi
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Sensory Screens, Digitized Desires: Dancing Rasa From Bombay Cinema To Reality TV [PDF]
Bombay cinema incorporated songs, dances, choreography, staging, and costumes from a variety of traditional forms to mark a modern national identity. The pioneering figure for using dance in films was Uday Shankar in his experimental film Kalpana. Bombay’
Chakravorty, Pallabi
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Superstar e Safe de Todd Haynes: Espaços Femininos Subversivos
Os woman’s films de Todd Haynes: Superstar: The Karen Carpenter Story (1987) e Safe (1995), mesmo que coincidam com o melodrama, têm a sua especificidade enquanto filmes de mulheres, de acordo com a designação de Mary Ann Doane: “The woman’s film, quite
Bárbara Paiva Correia de Vallera
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Este artigo apresenta o programa CRIANÇAS PRIME1Rº, uma iniciativa do Serviço Educativo CINANIMA – Festival Internacional de Cinema de Animação de Espinho, com o apoio da Direção-geral de Educação – Plano Nacional de Cinema, dirigido a crianças do 1.º ...
Paulo Oliveira Fernandes+1 more
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Female Flânerie and Transition from a Fetishized Object to an Observer-Subject: A Case Study on Cleo from 5 to 7 [PDF]
The perceptual experience of the male stroller (Flâneur), as the paradigm of the perceptual experience of modernity, is often regarded as a model to analyze the perceptual experience of the film's spectator.
Alireza Sayyad+2 more
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