Results 51 to 60 of about 68,183 (221)
A Technician's Dream? The Critical Reception of 3-D Films in Britain [PDF]
, 2012 Recent debates about the role of 3-D within cinema (and other media) have contained the traces of a largely anti-stereoscopic agenda that can be traced back to critical responses to 3-D in the 1950s.
Johnston, Keith M.
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Out of the dark – Psychological perspectives on people's fascination with true crime
British Journal of Psychology, EarlyView.Abstract The success of the true crime media genre reflects humanity's avid curiosity about violence, deviance, and murder, yet psychological research on this phenomenon is lacking. In this article, we highlight why true crime consumption may be relevant to various research fields that go beyond simple media preferences.
Corinna Perchtold‐Stefan +5 more
wiley +1 more source
Sobre um cinema que arde a 451 graus Fahrenheit
Terra Roxa e Outras Terras: Revista de Estudos Literários, 2015 Baseado no romance de Ray Bradbury, o filme Fahrenheit 451, de François Truffaut, constrói-se em torno de uma imagem potente: a de uma pira de livros.
Tiago Lanna Pissolati
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Decolonialidade e contravisualidade no cinema de horror negro brasileiro
(Des)troços: revista de pensamento radicalThis article aims to discuss Brazilian Black horror cinema, connecting it to a decolonial approach and the concept of counter-visuality, through an analysis of the short film Gênesis 22 (1999), directed by Jeferson De. To this end, it draws on the theoretical field of Cultural Studies, using a methodological tripod consisting of screen ethnography ...
Lucas Bitencourt Fortes, Daniela Ripoll
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Terra e terror em Phase IV, de Saul Bass
Viso, 2016 Os anos 1970 foram palco de uma onda de filmes do gênero eco-horror, dos quais se destaca Phase IV (1974), único longa-metragem dirigido por Saul Bass.
Juliana Fausto
doaj +1 more source
Noël Carroll : eine Bibliographie [PDF]
, 2010 Das Werk des Philosophen und Filmtheoretikers Noël Carroll ist außerordentlich vielgestaltig, über mehrere Disziplinen verstreut, umfaßt allgemeine Arbeiten zur ästhetischen Theorie (auf diesem Gebiet ist Carroll vor allem in den letzten Jahren aktiv ...
Wulff, Hans Jürgen
core
A Cinema of Boredom: Heidegger, Cinematic Time and Spectatorship
Film-Philosophy, 2020 Boredom, in cinema as well as in our everyday experience, is usually associated with a generalised loss of meaning or interest. Accordingly, boredom is often perceived as that which ought to be avoided.
Chiara Quaranta
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Sobre o som no cinema de horror: padrões recorrentes de estilo
C-Legenda - Revista do Programa de Pós-graduação em Cinema e Audiovisual, 2011 Este artigo procura listar alguns recursos estilísticos recorrentes no som do cinema de horror, examinando e discutindo algumas razões pelas quais essas ferramentas narrativas se tornaram populares entre cineastas, compositores e sound designers.
openaire +1 more source
Creeping decay: cult soundtracks, residual media, and digital technologies [PDF]
, 2015 This paper explores the recent resurgence in the collecting of cult film soundtracks, in particular films stemming from the late 1960s to the early 1980s and often linked to horror and other modes of exploitation cinema.
Sexton, Jamie
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Diálogo com a Economia Criativa, 2023 Este trabalho tem a intenção de analisar o filme “Chá de sangue e fio vermelho”, de 2006, dirigido por Christiane Cegavske, e entender como ele quebrou com padrões estereotipados das personagens femininas em filmes de animação.
Maria Luiza Correa da Silva
doaj +1 more source